![清 乌木七屏式扶手椅 此椅通体用圆材。靠背、扶手仿窗棂灯笼锦式,共7屏,中间最高,两边依次渐低,卷书式搭脑高出椅背。座面下安罗锅枨加矮老,足端安四面平管脚枨,正面横枨下加罗锅枨,两侧及后面安云形角牙。此椅造型方正而用材圆润,构架空灵,保持了明式风格,然其座围采用攒框和活杆拼接,使后背垂直,则为由明向清过渡转化的风格特征。](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6025.jpg)
(清代)
此椅通体用圆材。靠背、扶手仿窗棂灯笼锦式,共7屏,中间最高,两边依次渐低,卷书式搭脑高出椅背。座面下安罗锅枨加矮老,足端安四面平管脚枨,正面横枨下加罗锅枨,两侧及后面安云形角牙。此椅造型方正而用材圆润,构架空灵,保持了明式风格,然其座围采用攒框和活杆拼接,使后背垂直,则为由明向清过渡转化的风格特征。
![紫檀木雕番莲云头纹搭脑扶手椅 (清代)](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6029.jpg)
![紫檀木卷书式搭脑扶手椅](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6030.jpg)
![紫檀木雕云蝠纹宝座 紫檀木雕云龙纹宝座 ,是中国古代椅子中等级最高的坐具,只有宫廷、皇室才有。这件紫檀木雕云龙纹宝座是清代中期的典型作品,它通体满雕,几无留白,并以龙纹作为主题装饰。结构上采用三屏风的形式,即用三块围子构成宝座的靠背和扶手。此宝座曾为皇帝御用,它宽宏的体量,雄伟的气势,繁缛的雕工令人感叹。](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6034.jpg)
宝座,是中国古代椅子中等级最高的坐具,只有宫廷、皇室才有。这件紫檀木雕云龙纹宝座是清代中期的典型作品,它通体满雕,几无留白,并以龙纹作为主题装饰。结构上采用三屏风的形式,即用三块围子构成宝座的靠背和扶手。此宝座曾为皇帝御用,它宽宏的体量,雄伟的气势,繁缛的雕工令人感叹。
![紫檀的龙椅背 紫檀木雕荷叶龙纹宝座 (清代)](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6041.jpg)
![红木金漆嵌象牙宝座 红木金漆嵌象牙座屏风 清代](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6047.jpg)
![清 紫檀寿字云龙纹宝座](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6154.jpg)
![清 紫檀寿字云龙纹宝座如意云纹雕](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6163.jpg)
清 紫檀木雕云蝠纹宝座
![清 紫檀寿字云龙纹宝座](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6157.jpg)
![清 紫檀木雕云龙纹宝座](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6178.jpg)
![清 紫檀木雕云龙纹宝座](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6175.jpg)
![清 紫檀木雕云龙纹宝座](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6170.jpg)
![清 紫檀木雕云龙纹宝座](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6170.jpg)
![清 紫檀木雕云龙纹宝座](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6166.jpg)
![](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6049.jpg)
![紫檀嵌玉石屏风 紫檀雕龙纹宝座 紫檀雕龙纹长方桌](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6054.jpg)
![紫檀嵌玉石屏风 紫檀雕龙纹宝座 紫檀雕龙纹长方桌](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6064.jpg)
![紫檀嵌玉石屏风 紫檀雕龙纹宝座 紫檀雕龙纹长方桌](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6132.jpg)
![紫檀嵌玉石屏风 紫檀雕龙纹宝座 紫檀雕龙纹长方桌](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6136.jpg)
![紫檀嵌玉石屏风 紫檀雕龙纹宝座 紫檀雕龙纹长方桌](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6141.jpg)
![紫檀嵌玉石屏风 紫檀雕龙纹宝座 紫檀雕龙纹长方桌](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6130.jpg)
![紫檀嵌玉石屏风 紫檀雕龙纹宝座 紫檀雕龙纹长方桌](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6127.jpg)
![紫檀嵌玉石屏风 紫檀雕龙纹宝座 紫檀雕龙纹长方桌](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6143.jpg)
![荷鹤(和合)烛台](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6149.jpg)
多宝格,或称“百宝架”,是清代出现的一种用以陈设和储藏文玩珍宝的格式柜架。在清代晚期由于受西方文化影响,多宝格的造型也出现了中西合璧的艺术形式。如其正面帽顶下圆雕一凤的现象,如同西方之鹰象;弯腿彭出幅度大并用兰花装饰;平面结构凹曲;以及可以左右移动并用彩色压花玻璃制成的格门等。但其通体纹样却又是龙纹、八宝蝙蝠、竹节等中国古代的传统题材。
![紫檀仿竹节雕鸟纹多宝格](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6089-e1514436279311.jpg)
![紫檀仿竹节雕鸟纹多宝格](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6090.jpg)
![黑漆描金书柜式多宝格](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6113-e1514438764287.jpg)
![黑漆描金书柜式多宝格 (清代)](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6083-e1514438706777.jpg)
(清代)
![紫檀木海棠式委面杌凳 (清代)](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6080-e1514437366908.jpg)
(清代)
![紫檀木插屏 此件家具用名贵的紫檀木制成,为插屏式,底坐和屏风间有槽,可以插进卸下。屏风画面用各种染了色的象牙镶嵌而成,整件家具显得厚实稳重,同时由于画面的色调和纵深感,又有一种通透的感觉。](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6110-e1514436519262.jpg)
此件家具用名贵的紫檀木制成,为插屏式,底坐和屏风间有槽,可以插进卸下。屏风画面用各种染了色的象牙镶嵌而成,整件家具显得厚实稳重,同时由于画面的色调和纵深感,又有一种通透的感觉。
![紫檀木插屏 此件家具用名贵的紫檀木制成,为插屏式,底坐和屏风间有槽,可以插进卸下。屏风画面用各种染了色的象牙镶嵌而成,整件家具显得厚实稳重,同时由于画面的色调和纵深感,又有一种通透的感觉。](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6105.jpg)
此件家具用名贵的紫檀木制成,为插屏式,底坐和屏风间有槽,可以插进卸下。屏风画面用各种染了色的象牙镶嵌而成,整件家具显得厚实稳重,同时由于画面的色调和纵深感,又有一种通透的感觉。
![紫檀木插屏 此件家具用名贵的紫檀木制成,为插屏式,底坐和屏风间有槽,可以插进卸下。屏风画面用各种染了色的象牙镶嵌而成,整件家具显得厚实稳重,同时由于画面的色调和纵深感,又有一种通透的感觉。](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6076-e1514436709698.jpg)
此件家具用名贵的紫檀木制成,为插屏式,底坐和屏风间有槽,可以插进卸下。屏风画面用各种染了色的象牙镶嵌而成,整件家具显得厚实稳重,同时由于画面的色调和纵深感,又有一种通透的感觉。
![紫檀木雕云蝠番莲纹架几案 架几案特长,面板四边剔地浮雕云蝠纹。几敦腿间镶透雕番莲的圈口牙板。清代受西方文化影响,喜好在家具上雕刻“洛可可”式的纹饰,这种纹饰讲究对称,线条繁密流畅,使传统家具装饰出现中西结合的风格。](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6068.jpg)
架几案特长,面板四边剔地浮雕云蝠纹。几敦腿间镶透雕番莲的圈口牙板。清代受西方文化影响,喜好在家具上雕刻“洛可可”式的纹饰,这种纹饰讲究对称,线条繁密流畅,使传统家具装饰出现中西结合的风格。
![紫檀木雕云蝠番莲纹架几案 架几案特长,面板四边剔地浮雕云蝠纹。几敦腿间镶透雕番莲的圈口牙板。清代受西方文化影响,喜好在家具上雕刻“洛可可”式的纹饰,这种纹饰讲究对称,线条繁密流畅,使传统家具装饰出现中西结合的风格。](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6074.jpg)
架几案特长,面板四边剔地浮雕云蝠纹。几敦腿间镶透雕番莲的圈口牙板。清代受西方文化影响,喜好在家具上雕刻“洛可可”式的纹饰,这种纹饰讲究对称,线条繁密流畅,使传统家具装饰出现中西结合的风格。
![紫檀木雕云蝠番莲纹架几案 架几案特长,面板四边剔地浮雕云蝠纹。几敦腿间镶透雕番莲的圈口牙板。清代受西方文化影响,喜好在家具上雕刻“洛可可”式的纹饰,这种纹饰讲究对称,线条繁密流畅,使传统家具装饰出现中西结合的风格。](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6103.jpg)
架几案特长,面板四边剔地浮雕云蝠纹。几敦腿间镶透雕番莲的圈口牙板。清代受西方文化影响,喜好在家具上雕刻“洛可可”式的纹饰,这种纹饰讲究对称,线条繁密流畅,使传统家具装饰出现中西结合的风格。
![紫檀木雕云蝠番莲纹架几案 架几案特长,面板四边剔地浮雕云蝠纹。几敦腿间镶透雕番莲的圈口牙板。清代受西方文化影响,喜好在家具上雕刻“洛可可”式的纹饰,这种纹饰讲究对称,线条繁密流畅,使传统家具装饰出现中西结合的风格。](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6099.jpg)
架几案特长,面板四边剔地浮雕云蝠纹。几敦腿间镶透雕番莲的圈口牙板。清代受西方文化影响,喜好在家具上雕刻“洛可可”式的纹饰,这种纹饰讲究对称,线条繁密流畅,使传统家具装饰出现中西结合的风格。
![紫檀木雕云蝠番莲纹架几案 架几案特长,面板四边剔地浮雕云蝠纹。几敦腿间镶透雕番莲的圈口牙板。清代受西方文化影响,喜好在家具上雕刻“洛可可”式的纹饰,这种纹饰讲究对称,线条繁密流畅,使传统家具装饰出现中西结合的风格。](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6097.jpg)
架几案特长,面板四边剔地浮雕云蝠纹。几敦腿间镶透雕番莲的圈口牙板。清代受西方文化影响,喜好在家具上雕刻“洛可可”式的纹饰,这种纹饰讲究对称,线条繁密流畅,使传统家具装饰出现中西结合的风格。
![紫檀木嵌木画插屏式座屏风 (清代) 铁力木大理石心炕桌 (清代)紫檀木束腰珐琅面心方凳 (清代) 紫檀木束腰条桌(清代)](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6058.jpg)
![紫檀木嵌木画插屏式座屏风](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6183.jpg)
![(清代) 铁力木大理石心炕桌 (清代)](http://www.antiquekeeper.ca/wp-content/uploads/2017/12/AntiquekeeperCa-Canon-PowerShot-G1-X-Mark-II12.5-62.5-mm6187.jpg)