元 龙泉窑梅子青釉缠枝牡丹纹凤尾瓶凤尾尊

Description

元 龙泉窑梅子青釉缠枝牡丹纹凤尾瓶凤尾尊

参考：邵武博物馆
宋代 龙泉窑青釉模印“祝寿”图执壶

规格：口径8.8、底径8.9、高16.8CM
来源：1988年邵武市公安局移交

描述
灰胎。圆唇，花口外撇，短颈，深鼓腹，矮圈足。扁形把手、柱状流皆作弧形，颈部与流之间捏粘如意纹接连，腹部模印“祝寿”图，描绘童子、老者等祝。青釉泛绿。

参考：SOTHEBY’S
1998 中國瓷器及工藝品
元 龍泉青釉印纏枝牡丹紋鳳尾尊
A RARE LONGQUAN CELADON VASE
YUAN DYNASTY

2,500,000 — 3,000,000港幣

拍品詳情
A RARE LONGQUAN CELADON VASE
YUAN DYNASTY

of baluster form, the foot bordered with a row of upright lappets rising to a bulbous body applied with a crisply moulded undulating leafy peony scroll, narrowing to a waisted neck further decorated with three peony sprigs below the ribbed trumpet mouth, thickly covered overall in an even brilliant bluish-green celadon glaze
48.5 cm., 19 1/8 in.

狀況報告
There are three sections of restoration to the mouthrim, each about 3 inches wide, two of which were broken and restuck, one rebuilt. Almost the entire mouthrim has been painted over. There is some minor crackling to the glaze on one side of the foot. Pre-restoration photographs are available upon request.

相關資料
This vase is notable for the crisp and naturalistic rendering of the peonies which elegantly scroll around the body of the vase, and for the luminescence of the glaze. A larger vase of this type in the Palace Museum, Beijing, is illustrated in Longquan qingci, Beijing, 1966, pl. 41; and vases with their mouths reduced, in the Topkapi Saray Museum, Istanbul, are published in Regina Krahl, Chinese Ceramics in the Topkapi Saray Museum, vol. 1, London, 1986, nos 204 and 205. Smaller and simpler examples have been found on a shipwreck off the coast of Sinan, South Korea, datable to approximately the third decade of the 14th century, and were included in the Special Exhibition of Cultural Relics Found Off Sinan Coast, Seoul, National Museum of Korea, 1977, cat. no. 23.

Longquan wares with moulded and applied decoration first appeared in the late Song dynasty and were produced in large quantities during the Yuan. They were assembled in sections and instead of having a base, their bottom section was closed with an inverted saucer-shaped piece of clay. Compare a similarly shaped yenyen vase from the Percival David Foundation, and now in the British Museum, London, inscribed with the date corresponding to 1327, illustrated in Margaret Medley, Yuan Porcelain and Stoneware, London, 1974, pl. 58.

中國瓷器及工藝品
2011年10月5日 | 上午 11:30 HKT
香港

参考：佳士得 拍賣 14319
宗器寶繪 ─ 藤田美術館藏中國古代藝術珍品
紐約|2017年3月15日
拍品501
元十四世紀 龍泉青釉印纏枝牡丹紋鳳尾尊
YUAN DYNASTY, 14TH CENTURY

成交總額
USD 727,500

估價
USD 200,000 – USD 300,000

元十四世紀 龍泉青釉印纏枝牡丹紋鳳尾尊
24 5/8 in. (63.2 cm.) high, Japanese wood box

來源
大阪藤田美術館珍藏，入藏於1940年前。

文獻及展覽
文獻
《藤田美術館所藏品圖錄》，卷二，藤田美術館，大阪，1954年，編號45。
《藤田美術館名品圖錄》，藤田美術館，東京，1972年，編號339。

参考：佳士得拍賣 2811
中國宮廷御製藝術精品、重要中國瓷器及工藝精品
Hong Kong|2010年5月31日
拍品1983|南宋/元 龍泉釉貼纏枝牡丹花香爐
A LONGQUAN CELADON RELIEF-DECORATED TRIPOD CENSER

成交總額
HKD 860,000

估價
HKD 500,000 – HKD 700,000

此器源自三菱集團創辦人之一近藤廉平男爵(1848-1921)。1837年至1921年間，曾任日本郵船商社及麒麟麦酒株式会社總裁，其夫人來自茶道 大師松平不昧家族。

來源
Baron Kondo Renpei (1848-1921), Japan

文獻及展覽
展覽
National Museum of Japanese History, Culural History of Ceramic Ware, 24 March 1998 – 5 May 1998, Sakura City, Chiba Prefecture, Japan and illustrated in the Catalogue, no. 31

拍品專文
Baron Kondo Renpei was one of the founders of the Mitsubishi Group, president of Nippon Yusen Kaisha (NYK Line) and Kirin Brewery Co. Ltd. 1837-1927. He was awarded the title of Baron by Emperor Meiji in 1911 in recognition of his distiguished services to the development of the marine transportation trade in Japan. His wife was from the Matsudaira family, related to the tea master and daimyo of the Matsue domain, Matsudaira Fumai.

Censers of this type were made during the Southern Song and Yuan dynasties. Examples have been found in a Song stratum at Quanzhou in Fujian province, which at the time was the main port for overseas trade. A piece from a Yuan tomb, also at Quanzhou, is illustrated in Longquan Qinci, Beijing, 1966, pl. 23 bottom, and another larger example from the Shanghai Museum is illustrated ibid., pl. 50. Other published examples include one in the Idemitsu Museum of Arts illustrated in Song Dynasty Ceramics, Tokyo, 1979, pl. 19, which is quite similar in shape, but of smaller size; one of similar size and shape in the Asian Art Museum, San Francisco, illustrated by He Li, Chinese Ceramics, New York, 1996, p. 158, no. 271, dated Southern Song dynasty; a slightly smaller example illustrated by R. Krahl, Chinese Ceramics in the Meiyintang Collection, vol. 1, London, 2001, p. 303, pl. 568, dated Southern Song or Yuan dynasty. Others are in the Museum of Fine Arts, Boston; the Hakutsuru Art Museum, Japan; the Ardebil Shrine; and the Toyko National Musuem.

編製圖錄及詳情
拍品前備註

VARIOUS PROPERTIES

参考：佳士得拍賣 2891
重要中國瓷器及工藝精品 I 及 II
Hong Kong|2011年11月30日
拍品3014
龍泉青釉菊紋鳳尾尊
明初

成交總額
HKD 1,340,000

估價
HKD 400,000 – HKD 600,000

尊撇口，長頸，圓腹下歛，主體刻卷草菊花紋，近足處環花瓣紋，肩部飾卷雲紋，頸環菊花紋。

此器源自日本著名中國藝術收藏家林屋晴三，附其1970年代手書信函。

來源
Hayashiya Seizo, a well-known scholar of Chinese ceramics, and accompanied with a letter written circa 1970s

参考：纽约大都会博物馆 元 青釉牡丹纹凤尾瓶 Vase with Peony Scrolls

mid-14th century
China

Developed at the Longquan kilns in the late thirteenth century, this type of vase was produced there well into the Ming dynasty (1368–1644). The decoration of molded peonies is an innovation of these kilns, and is frequently found on works produced there in the thirteenth and fourteenth centuries. The large size of this type of vase suggests that it was used in public spaces such as temples and reception halls.

On view at The Met Fifth Avenue in Gallery 204

Object Details
Period:Yuan dynasty (1271–1368)
Date:mid-14th century
Culture:China
Medium:Porcelain with molded decoration under celadon glaze (Longquan ware)
Dimensions:H. 19 1/2 in. (49.5 cm); Diam. 11 in. (27.9 cm)
Classification:Ceramics
Credit Line:Gift of Mrs. Samuel T. Peters, 1926
Accession Number:26.292.77
Provenance
Mrs. Samuel T. Peters , New York, (until 1926; donated to MMA)
Exhibition History
New York. The Metropolitan Museum of Art. “Cultivated Landscapes: Reflections of Nature in Chinese Painting with Selections from the Collection of Marie-Hélène and Guy Weill,” September 10, 2002–February 9, 2003.

New York. The Metropolitan Museum of Art. “The Four Seasons,” January 28, 2006–August 13, 2006.

New York. The Metropolitan Museum of Art. “The Yuan Revolution: Art and Dynastic Change,” August 21, 2010–January 9, 2011.

Timeline of Art History
Timelines
Central and North Asia, 1000-1400 A.D.
China, 1000-1400 A.D.
MetPublications
A Handbook of Chinese Ceramics

参考： 拍卖结果 > 纽约苏富比亚洲艺术周秋季拍卖会 > 中国艺术珍品 > 元 龙泉窑青釉贴缠枝牡丹纹瓶

估价：50,000-70,000 USD
未成交
尺寸：高27.7cm

中國藝術珍品
2016年9月13日 – 2016年9月14日 | 上午 10:30 EDT
紐約

來源
Albert Armand Pouyanne (1873-1932) 收藏
元 龍泉窰青釉貼纏枝牡丹紋瓶

参考：拍卖结果 > 纽约苏富比2015年亚洲艺术品春季拍卖会 > 艺海观涛：坂本五郎珍藏中国艺术·陶瓷 > 元 龙泉窑青釉贴牡丹花纹瓶

估价：20,000-30,000 USD
成交价： 75,000 USD （含买家佣金）
尺寸：高 10 英寸，25.3 公分

参考：LOT 3100 A MOULDED LONGQUAN CELADON VASE
YUAN DYNASTY (1279-1368)
Price realised
HKD 1,187,500
Estimate
HKD 100,000 – HKD 150,000

A MOULDED LONGQUAN CELADON VASE
YUAN DYNASTY (1279-1368)
The body is applied with moulded meandering stems bearing lotus blossoms above a band of upright petals. The neck rises to a trumpet mouth and is decorated with raised bow-string bands.
10 in. (26 cm.) high, Japanese wood box

参考：元 龙泉窑梅子青釉模印缠枝花卉纹觚 | 编号： 1114

拍品信息
估价 rmb 500,000至600,000
成交价 rmb 690,000
年代 元
规格 高48.9cm
预展时间 2013-11-15 11:00–2013-11-17 22:00
预展地点 北京千禧大酒店(北京市朝阳区东三环中路7号财富中心)
拍卖公司 北京中汉拍卖有限公司
拍卖时间 2013-11-17
拍卖会名称2013年秋季拍卖会拍卖会
专场 瓷器工艺品拍卖
地点 北京千禧大酒店二层朝阳宴会厅（北京市朝阳区东三环中路7号财富中心）

拍品描述
拍品器形硕大，胎体厚重。通体施梅子青釉，釉色青翠。器身装饰模印缠枝花卉纹，立体感强。其制作工艺精湛，堪为龙泉窑青瓷罕见的艺术珍品。至清代时雍正皇帝极为欣赏此类作品，特命景德镇御窑厂予以仿制，台北故宫博物院中见有收藏。 此形制的花觚为龙泉窑青瓷的典型器物，是元代龙泉窑新创品种。

参考：佳士得 拍賣 2152
重要中國瓷器及工藝精品
香港|2003年10月27日
拍品610| 元 青釉注胎凤尾尊
THE PROPERTY OF A GENTLEMAN
A FINELY MOULDED LONGQUAN CELADON YENYEN VASE

成交總額
HKD 167,300

估價
HKD 90,000 – HKD 120,000
A FINELY MOULDED LONGQUAN CELADON YENYEN VASE
YUAN DYNASTY, 14TH CENTURY

The baluster body is well moulded with a wide band of lotus blooms borne on scrolling leafy vines, above overlapping upright leaves, the tall trumpet neck with a smaller lotus scroll below concentric bands rising to the flared mouth rim, the celadon glaze of an attractive blue-green tone (hairline at base)
17 3/4 in. (45 cm.) high, box

拍品專文
The present vase is unusually small, as most vases of this design are considerably taller. The decoration on the larger vases are also sprig moulded and applied onto the body under the glaze, whereas the design on the present lot has been moulded on the vase, giving it a softer and more subtle appearance. However, like the other vases, the recessed base is formed by the Yuan technique of inserting an inverted dish through the base cavity so as to accommodate any movement during the firing process, thereby successfully maintaining the shape of the vase.