元 龙泉窑青瓷云龙纹大梅瓶

Description

元 龙泉青瓷云龙纹大梅瓶

参考：佳士得
18 3月 2021 | 現場拍賣 19401
重要中國瓷器及工藝精品
拍品 894
A CARVED LONGQUAN CELADON VASE, MEIPING
PROPERTY FROM THE COLLECTION OF PAUL W. DOLL, JR.
明　龍泉窯青釉纏枝牡丹紋梅瓶
MING DYNASTY (1368-1644)

成交價 USD 40,000
估價 USD 10,000 – USD 15,000

明　龍泉窯青釉纏枝牡丹紋梅瓶
MING DYNASTY (1368-1644)
15 in. (38.1 cm.) high, hongmu stand

狀況報告
謹請注意，所有拍品均按「現狀」拍賣，閣下或閣下的專業顧問應於拍賣前親自查看拍品以評鑑拍品之狀況。
-底部有鑽孔。
-口沿稍有擦痕。
-一處輕微撞痕及一些表面擦痕和輕微刮痕，均屬年代久遠與使用所致的正常現象。
-瓶足上方環繞一道橫向驚釉，約佔該處圓周之3/4。

拍品專文
A similar though slightly taller Longquan celadon meiping vase with a cover, also carved with a leafy peony scroll, and potted with broader shoulders, is illustrated in Celadons from Longquan Kilns, Taipei, 1998, p. 260, no. 245.

参考：苏富比
凝盈一色
2020年7月11日 | 上午 10:00 HKT 香港
105 明初 龍泉青釉梅瓶

估價 4,000,000 — 6,000,000 港幣
拍品已售 7,375,000 港幣 成交價 (含買家佣金)

拍品詳情

明初 龍泉青釉梅瓶
38.8 公分，15 1/4 英寸

相關資料
梅瓶素樸無紋，器形豐腴俏美，釉色明潤，幾近無瑕，龍泉窰佳品之代表，當屬明初官作一類。時匠技藝精湛，如此上寬下歛、素面無紋之器，尤為難燒，但見瑕疵，即致佳料餘廢，需比例勻稱，窰火老練，方得上品。

北京故宮博物院清宮舊藏一相類龍泉帶蓋梅瓶，瓶略較此高，刊於《天下龍泉：龍泉青瓷與全球化》，卷2：國家公器，北京，2019年，編號94，圖錄筆者指，該瓶「形體秀美，從造型特徵看，應是明永樂時期龍泉窰依宮廷出樣而燒造的宮廷用瓷」（頁156）。台北故宮博物院藏四件相類梅瓶，則收錄於《碧綠：明代龍泉窰青瓷》，台北，2009年，編號64-67，僅第一例帶蓋。橫河收藏另有一例，器形與尺寸均與此相近，現存東京國立博物館，載於《東京国立博物館図版目錄．中國陶磁篇》，卷2，東京，1990年，圖版486。倫敦蘇富比也曾拍出兩例，分別為1986年5月20日，編號2，以及2004年11月10日，編號561。浙江處州龍泉窰址，曾出土多件梅瓶及配蓋，見葉英挺及華雨農，《發現：處州龍泉官窰》，杭州，2005年，頁38-101。

本品器形，較明初龍泉典型梅瓶，略顯豐張，或源出景德鎮官窰青花相類品。可參考高安元代窰址出土六梅瓶例，紋飾各有不同，錄於《高安元代窖藏瓷器》，上海，2005年，頁52-63。同類梅瓶，亦見紋飾與景德鎮窰相近者，如北京故宮博物院藏梅竹紋例，錄於《天下龍泉》，前述出處，編號95。由此即見，當時之龍泉或承官樣，以製供御之器。據官檔載，龍泉窰曾燒官器，至少到了成化一朝方竭。

参考：苏富比
88
A RARE LARGE ‘LONGQUAN’ CELADON VASE, MEIPING, EARLY MING DYNASTY
明初 龍泉窰青釉梅瓶

Estimate: 10,000 – 15,000 GBP

Description
A RARE LARGE ‘LONGQUAN’ CELADON VASE, MEIPING

EARLY MING DYNASTY
明初 龍泉窰青釉梅瓶
stoutly potted, the baluster body rising from a spreading foot to rounded shoulders and a short narrow tapering neck with rolled rim, incised with two narrow double-line borders to the shoulder and lower body, covered overall in a glaze of brilliant sea-green colour

36.5 cm, 14½ in.
36.5公分，14 1/2英寸

Condition Report
Overall scatterered surface scratches, light wear to the rim, a very shallow chip (approx. 0.5 x 0.5 cm) to the glaze above the lower ribbed bands, and minor firing imperfections, including iron spots, slightly uneven foot and a small glaze pull towards the lower part of the body. The actual colour is is slightly greener than the illustration
中文內容僅供參考，請以英文原版為準。惟整體見些許釉面劃痕，口沿見些許磨損，器下方旋紋上方見一處細小釉面淺磕（約0.5×0.5公分）。整體見細小窰燒瑕疵，包括鐵斑、足部略不平整，以及器身下方見一處細小縮釉。實物顏色較圖例所示更綠。

Catalogue note
Notable for its luminous and even celadon glaze, this vase is unusual for the pair of parallel lines incised on the shoulders and above the foot. Three jars of this type but of slightly larger size and lacking the incised lines, in the National Palace Museum, Taipei, were included in the Museum’s exhibition Green Longquan Celadon of the Ming Dynasty, Taipei, 2009, cat. nos 65, 66 and 67; one from the collection of Dr. Yokogawa Tamisuke, now in the Tokyo National Museum, is published in Illustrated Catalogue of Tokyo National Museum: Chinese Ceramics II, Tokyo, 1990, pl. 486; another was sold in these rooms, 10th October 2004, lot 561; and a further example was sold in our Hong Kong rooms, 1st November 1994, lot 18.
本瓶青釉明亮均勻，瓶肩及近足處刻平衡線，甚為獨特。台北故宮博物院收藏三罐例，尺寸稍大，無刻線，展於《碧綠—明代龍泉窰青瓷》，台北，2009年，編號65、 66及67；另比一例，出自橫河民輔收藏，現存於東京國立博物館，載於《東京國立博物館圖版目錄·中國陶磁篇II》，1990年，圖版486；另一例售於倫敦蘇富比2004年10月10日，編號561；尚有一例，售於香港蘇富比1994年11月1日，編號18。

参考：厦门博乐德平台拍卖有限公司
2019年秋季艺术品拍卖会
韫古·龙泉青瓷及古董珍玩
LOT号： 0154 明 初 龙泉窑青釉梅瓶

拍品信息
作者 —
尺寸 高35.5cm
作品分类 陶瓷>明代单色釉瓷器
创作年代 明 初
估价 RMB 　400,000-650,000
成交价 未提供
专场 韫古·龙泉青瓷及古董珍玩
拍卖时间 2020-01-01
拍卖公司 厦门博乐德平台拍卖有限公司
拍卖会 2019年秋季艺术品拍卖会

说明
瓶小口，梯形短颈，溜肩，鼓腹，腹以下渐收至底，圈足外展。瓶内、外和圈足内均施青釉，釉色青翠，通体素纹匀净。

参阅：《天下龙泉》卷一 P185 卷二P156

参考：苏富比 1680
蘇富比週末拍場：
亞洲藝術及大都會藝術博物館之中國藝術
佛羅倫斯及赫伯特 歐雲伉儷惠贈
明 龍泉窰青釉「清香美酒」梅瓶

5,000 — 7,000美元
拍品已售 18,750 美元 成交價 (含買家佣金)

拍品詳情
明 龍泉窰青釉「清香美酒」梅瓶

蘇富比週末拍場：亞洲藝術及大都會藝術博物館之中國藝術 – 佛羅倫斯及赫伯特 • 歐雲伉儷惠贈
2019年9月14日 | 上午 10:00 EDT
紐約

参考：佳士得拍賣 2178
重要中國瓷器及工藝精品
香港|2004年11月1日
拍品1129 明 龙泉青瓷梅瓶
A RARE CARVED LONGQUAN CELADON VASE, MEIPING

成交總額
HKD 382,400

估價
HKD 250,000 – HKD 300,000

A RARE CARVED LONGQUAN CELADON VASE, MEIPING
MING DYNASTY, 15TH CENTURY

Sturdily potted with full rounded shoulders elegantly tapering to a narrow waisted foot, finely carved with freely scrolling vines bearing peony blossoms, buds and leaves, between a band of floral scrolls at the foot and a leafy meander at the shoulder, the cylindrical neck encircled by flower sprays, entirely covered with a warm olive-green glaze except for the foot ring burnt orange in the firing
15 in. (38.1 cm.) high, stand, box

來源
A Japanese private collection

拍品專文
This vase belongs to a group of high-quality Longquan celadon wares produced in the early 15th century, and which are decorated with carved designs that may be compared with underglaze-blue decoration of the period. The peony scroll on the present vase is boldly rendered with the blossoms featured from the side view and the top view. Cf. a similar Longquan celadon meiping carved with a lotus pond design, from the Manno Art Museum, sold in these Rooms, 28 October 2002, lot 557; and a shorter example carved with lotus scrolls, sold in our New York Rooms, 24 March 2004, lot 173.

Compare also with undecorated meiping vases, such as the one from the Gotoh Museum, Japan, illustrated in Sekai Toji Zenshu, vol. 14, no. 23o; and another illustrated in The Tsui Museum of Art, Hong Kong, 1991, pl. 47.

参考：佳士得拍賣 2208
重要中國瓷器
香港|2005年11月28日
拍品1441 明 龙泉青瓷梅瓶
A RARE CARVED LONGQUAN CELADON VASE, MEIPING

成交總額
HKD 288,000

估價
HKD 120,000 – HKD 150,000

A RARE CARVED LONGQUAN CELADON VASE, MEIPING
MING DYNASTY, EARLY 15TH CENTURY

Of elegant form with broad shoulders tapering to a waisted foot, freely carved with peonies borne on a leafy scroll, in-between narrow foliate bands around the foot and shoulder, repeated on the short tapered neck, entirely covered in a rich sea-green glaze
15 3/8 in. (39 cm.) high, box

來源
A Japanese collector

拍品專文
This vase belongs to a group of high-quality Longquan celadon wares produced in the early 15th century, and which are decorated with carved designs that may be compared with underglaze-blue decoration of the period. A similar meiping carved with a lotus-scroll design from the Manno Art Museum, was sold in these Rooms, 28 October 2002, lot 557. Compare also with undecorated meiping vases, such as the one in the Gotoh Museum, Japan, illustrated in Sekai Toji Zenshu, vol. 14, no. 230; and another illustrated in The Tsui Museum of Art, Hong Kong, 1991, pl. 47.

参考：佳士得拍賣 2832
重要中國瓷器及工藝精品
香港|2010年12月1日
拍品3104|明十五世紀 龍泉窰青釉梅瓶
THE PROPERTY OF A GENTLEMAN
A VERY RARE EARLY MING LONGQUAN CELADON MEIPING AND A COVER

成交總額
HKD 6,980,000

估價
HKD 2,000,000 – HKD 3,000,000

此器源自徐氏藝術館。有一件與此拍品極為相似的元/明代龍泉青釉梅瓶曾於1990年香港敏求精社展出，見《歷代文物萃珍敏求精舍三十週年紀念展》，圖版125。

來源
The Tsui Museum of Art, Hong Kong

拍品專文
The commanding form and excellent potting of this meiping, complemented by the handsome and lustrous glaze, distinguish it as an excellent example of its type. A very similar meiping and cover dated to the Yuan or early Ming dynasty is illustrated in Selected Treasures of Chinese Art: Min Chiu Society Thirtieth Anniversary Exhibition, Hong Kong, 1990, no. 125.

参考：佳士得拍賣 2862
重要中國瓷器及工藝精品
Hong Kong, HKCEC Grand Hall|2011年6月1日
拍品3815
明十五世紀
龍泉窰青釉梅瓶

成交總額
HKD 620,000

估價
HKD 250,000 – HKD 350,000

明十五世紀　　龍泉窰青釉梅瓶

明龍泉窰素身梅瓶的例子不多，臺北國立故宮博物院藏品一件，見2009年台北出版《碧綠：明代龍泉窰青瓷》，132-133頁，圖版65號；另一件2004年11月10日於倫敦蘇富比拍賣，拍品561號。龍泉窰梅瓶連蓋例子，見1990年香港藝術館出版《歷代文物萃珍—敏求精舍三十周年紀念展》，圖版125號；徐氏藝術館舊藏一件，2010年12月1日於香港佳士得拍賣，拍品3104號。

來源
A Japanese private collection

拍品專文
Undecorated Longquan meiping dating to the early Ming dynasty are rare. An example of identical size to the present vase in the National Palace Museum, Taipei was included in the exhibition Green-Longquan Celadon of the Ming Dynasty, Taipei, 2009, pp. 132-133, no. 65. A meiping and cover dated to the Yuan or early Ming dynasty is illustrated in Selected Treasures of Chinese Art: Min Chiu Society Thirtieth Anniversary Exhibition, Hong Kong, 1990, no. 125. Another meiping and cover formerly in the The Tsui Museum of Art, Hong Kong was sold at Christie’s Hong Kong, 1 December 2010, lot 3104. An example in the Tokyo National Museum is published in Chinese Ceramics, Illustrated Catalogues of Tokyo National Museum, Tokyo, 1965, p. 95, no. 387. Another similar example was sold at Sotheby’s London, 10 November 2004, lot 561.

参考：佳士得拍卖 2123 香港|2002年10月28日
拍品557
A FINE AND VERY RARE CARVED LONGQUAN CELADON MEIPING

成交总额
HKD 334,600

估价
HKD 350,000 – HKD 450,000

A FINE AND VERY RARE CARVED LONGQUAN CELADON MEIPING
MING DYNASTY, EARLY 15TH CENTURY

Strongly potted with full rounded shoulders tapering elegantly to a narrow waisted foot, freely carved around the main body with lotus sprays bearing full blooms, large leaves and seed pods, in between a key-fret band around the foot and lingzhi around the shoulders, decorated on the short tapered neck with a leafy scroll, and entirely covered with a warm olive-green glaze except for the footring burnt orange in the firing
15 3/8 in. (39 cm.) high, box

来源
Manno Art Museum, no. 359.

拍品专文
This vase belongs to a group of high-quality Longquan celadon wares produced in the early 15th century, and which are decorated with carved designs that may be compared with underglaze-blue decoration of the period. The design of the lotus pond is exquisitely rendered on the present vase, with boldly carved strokes and a naturalistic arrangement that is rarely seen on other vases of this type.

Compare also with undecorated meiping vases, such as the one in the Gotoh Museum, Japan, illustrated in Sekai Toji Zenshu, vol. 14, no. 230; and another illustrated in The Tsui Museum of Art, Hong Kong, 1991, pl. 47.

参考：SONG – IMPORTANT CHINESE CERAMICS FROM THE LE CONG TANG COLLECTION 8 PROPERTY FROM THE LE CONG TANG COLLECTION
北宋 龙泉青瓷牡丹纹梅瓶
A VERY RARE LONGQUAN CELADON CARVED ‘PEONY’ MEIPING
NORTHERN SONG DYNASTY

Estimate 1,200,000 — 1,800,000 HKD
LOT SOLD. 5,140,000 HKD

A VERY RARE LONGQUAN CELADON CARVED ‘PEONY’ MEIPING
NORTHERN SONG DYNASTY
sturdily potted with a tapering body sweeping up to a broad shoulder and surmounted by a short neck and lipped mouth-rim, the exterior carved with large peony blooms with slender undulating petals above a thin concave band and a broad frieze enclosing upright petal lappets encircling the lower section of the vessel, covered unctuously overall save for the countersunk base with a translucent celadon glaze densely suffused with a network of ice crackles
28.6 cm, 11 1/4 in.

PROVENANCE
Collection of the Chang Foundation, Taipei.

LITERATURE
James Spencer (comp.), Selected Chinese Ceramics from Han to Qing Dynasties, Chang Foundation, Taipei, 1990, cat. no. 59.

CATALOGUE NOTE
This serenely shaped and decorated meiping is one of the rare examples of the early production of the Longquan kilns in Zhejiang province, in the Northern Song period (960-1127), before Longquan wares reached the height of their popularity. At this time, the kilns, located in China’s southeast, were faced with the strong competition of northern celadon kilns such as Yaozhou in Shaanxi, which had the immense advantage of being located close to the seats of power. With their pale green glazes and delicate incised designs, early Longquan wares show closer similarities to Yue wares, made further north in the same province, and at times to Yaozhou ware, than to later Longquan wares with their deeper green glazes, often free of design, and were previously often mistaken for Yue. Although the Yue kilns clearly exerted a strong influence, the Longquan kilns had in fact created a distinctive style of their own already in the Northern Song, with their delicate carved designs covering the vessel surface, enlivened by fine combing. Outstanding examples such as the present vase are, however, exceedingly rare.

The dramatic transformation of the Longquan production, in terms of material and workmanship, from the Five Dynasties period (907-960), when the kilns produced mainly funerary wares, to the Northern Song, when they turned to high-quality utilitarian ceramics, becomes apparent when comparing a related, but much more coarse vase with slightly angled shoulders, carved with a peony scroll between bands of petals, attributed to the Five Dynasties period, illustrated in Longquan qingci [Longquan celadon], Beijing, 1966, pl. 2.

The present meiping with its well-rounded shoulders and relatively wide neck is harmoniously proportioned, the complex flower scroll that covers two thirds of the body gives it a generous air, and the bluish glaze tone is particularly successful. On comparable vases the design is mostly divided into narrower bands, the proportions vary a lot, and the glazes tend to be more olive green; see, for example, a larger meiping of this type, excavated in Songyang county, Zhejiang province, and now in the Songyang County Museum, carved with an additional band of lappets around the shoulder, frequently illustrated, for example, in Zhu Boqian, Longquan yao qingci/Celadons from Longquan Kilns, Taipei, 1998, pl. 69; and in Zhongguo Longquan qingci/Longquan Celadon of China, Hangzhou, 1998, pl. 47 and on the cover; a slightly smaller, densely decorated vase from the Sir Herbert and Lady Ingram collection, now in the Ashmolean Museum, Oxford, published in Sekai tōji zenshū/Ceramic Art of the World, vol. 12, Tokyo, 1977, col. pl. 179; another from the Dexing Shuwu collection, sold in our New York rooms, 18th March 2008, lot 86; and one showing two narrow bands of scrolling flowers and a larger section of petals, sold in these rooms, 5th November 1996, lot 725; a much smaller version, decorated with one band of peony scrolls above five ranks of overlapping petals, from the Yang De Tang collection, was sold in our New York rooms, 17th March 2015, lot 64.