北宋 钧釉水丞/水注/水盂

Description

北宋 钧釉水丞/水注/水盂

参考：苏富比
October 9, 2023
Lot 3638
A rare celadon-glazed jar, Mark and period of Yongzheng
清雍正 粉青釉小口罐 《大清雍正年製》款

Estimate 1,200,000 – 1,800,000 HKD

A rare celadon-glazed jar,
Mark and period of Yongzheng
清雍正 粉青釉小口罐 《大清雍正年製》款
13 cm

Condition Report
There is a hairline around lower body of the vessel from approx. 1-8 o’clock of the mark, only visible under UV light; with a minuscule glaze flake nearby. The jar is otherwise in good overall condition with a scratch around the mouth.
整體品相良好，惟只在紫光燈下可見下腹一道由1點至8點鐘位置細沖。細沖旁見一微小釉面剝落。口沿周邊一道輕微劃痕。

Provenance
Sotheby’s Hong Kong, 27th April 2003, lot 162.
Christie’s New York, 29th March 2006, lot 455.
香港蘇富比2003年4月27日，編號162
紐約佳士得2006年3月29日，編號455

Catalogue Note
The deceptive simplicity of this jar, from the minimalist form to the subtle translucent glaze, conceals the proficiency involved in creating such a piece. Monochrome wares were the hardest to make and required the utmost precision in every stage of their production, as the slightest irregularity would result in the rejection and destruction of the piece. The elegant and subtle glaze on this piece was created in imitation of Longquan celadon of the Song period, and is given a fresh modern aesthetic through the charming and unusual globular form. Celadon glazes with delicate, almost watery tones were made already in the early Ming dynasty, and were achieved by lessening the amount of iron typically found in Song dynasty Longquan celadons. The glaze was further modified during the Yongzheng period to include a wider variety of tones.

A closely related jar in the Meiyintang collection, is illustrated in Regina Krahl, Chinese Ceramics in the Meiyintang Collection, vol. 2, London, 1994, pl. 857; another was sold twice in these rooms, 15th May 1990, lot 83, and 25th April 2004, lot 267; a third from the collection of W.W. Winkworth, was sold in our London rooms, 13th February 1973, lot 183; and a further jar from the collection of Edward Schortman, was sold in our New York rooms, 3rd June 1987, lot 261, and at Christie’s New York, 24th March 2004, lot 239. Compare also a Yongzheng mark and period jar of slightly more elongated form, from the T.Y. Chao collection, included in the exhibition Ch’ing Porcelain from the Wah Kwong Collection, Chinese University of Hong Kong, Hong Kong, 1973, cat. no. 13, and sold in these rooms, 19th May 1987, lot 284, and in our New York rooms, 24th March 1998, lot 666; and another with cover from the J.M. Hu collection, included in the exhibition Qing Imperial Monochromes. The Zandelou Collection, Shanghai Museum, Shanghai, 2005, cat. no. 15, and sold in these rooms, 9th October 2012, lot 110.

This form is also known painted in underglaze blue, such as a jar with cover painted with a flower scroll in the Taipei Palace Museum, included in the Museum’s Special Exhibition of K’ang-hsi, Yung-cheng and Ch’ien-lung Porcelain Ware from the Ch’ing Dynasty in the Palace Museum, Taipei, 1986, cat. no. 29; another lacking the cover, sold in these rooms, 20th May 1986, lot 67; and a third painted with sprays of fruits and flowers, from the R.F.A. Riesco collection, illustrated in Sir Harry Garner, Oriental Blue and White, London, 1973, pl. 75; and sold in our London rooms, 11th December 1984, lot 406.

参考：苏富比
The Pilkington Collection of Chinese Art /
05 四月 2016 • 香港
拍品 7
五代/宋 磁州窰白釉瓜棱罐

估價 8,000 – 10,000 HKD
已售出 187,500 HKD

描述
pottery
9.5公分，3¾英寸
the compressed globular body divided into fourteen lobes, rising from a knife-pared splayed foot to a waisted neck with flared rim, covered overall in a creamy ivory glaze stopping neatly above the foot to reveal the buff-coloured body

來源
倫敦蘇富比1963年1月22日，編號19(£130)
Bluett & Sons Ltd，倫敦，1963年 (£130)
羅傑琵金頓(1928-69年)收藏，自1963 (£130)

拍品資料及來源
拍賣中有見此類罐。一售紐約蘇富比1974年2月7日，編號120；再次售紐約蘇富比1981年5月8日，編號213。兩例售倫敦蘇富比，其一原為John Henry Levy之舊藏，曾展於東方陶瓷學會，《The Arts of the Sung Dynasty》，倫敦，1960年，編號99，1977年12月13日拍賣，編號398；一例原為Wallenberg大使及 Gustaf Lindberg舊藏，1978年12月12日，編號135；再一例售東京佳士得，1981年2月15日，編號399。

参考：中國嘉德(香港)國際拍賣有限公司
2021 春季拍賣
觀古III — 瓷器
1241 明嘉靖 白釉暗刻龍紋罐

11.8 cm. (4 5/8 in.) wide

「大明嘉靖年製」六字二行楷書款
此罐直口，豐肩，鼓腹，弧壁下斂，圈足平底。底書「大明嘉靖年製」青花六字兩行楷書款。通體施白釉，釉層厚潤勻淨，白潤光潔，施釉頗厚，底部無釉露澀胎，胎質堅致精良。外壁以暗刻為飾，頸部及腹部暗刻弦紋，肩部飾如意雲頭紋，脛部變形蓮瓣紋一周，腹部刻雙龍戲珠，龍圓眼闊嘴，身形彎曲，威嚴大氣，為典型明代風格，因釉層凝厚，紋飾若隱若現，別有意趣。整器紋飾隱現於潤潔的白釉之下，生動柔和，雖無彩釉裝飾，但線條有力，古拙雄勁，古樸之中難掩恣肆豪放之氣度，是為嘉靖御用之器。

來源：日本九州私人舊藏
香港蘇富比，1987年5月20日，拍品編號434
東京大仁堂

估價 :
HKD: 380,000 – 580,000
USD: 49,000 – 74,800

成交價:
HKD: —

参考：苏富比 3657
中國藝術珍品
清雍正 粉青釉小口罐 《大清雍正年製》款

2,000,000 — 3,000,000港幣

拍品詳情
清雍正 粉青釉小口罐 《大清雍正年製》款
13 公分，5 1/8 英寸

來源
香港蘇富比2003年4月27日，編號162
紐約佳士得2006年3月29日，編號455

中國藝術珍品
2019年4月3日 | 下午 2:30 HKT
香港

参考：苏富比 604
中國藝術珍品
北宋 / 金 耀州窰醬釉瓜棱小罐

10,000 — 15,000美元
拍品已售 12,500 美元 成交價 (含買家佣金)

拍品詳情
北宋 / 金 耀州窰醬釉瓜棱小罐

狀況報告
口沿見裂紋，長約1.4厘米。表面見正常磨損及細微窰燒瑕疵。表面經清潔及磨光。

中國藝術珍品
2017年3月15日 | 上午 10:30 EDT
紐約

参考： 北京保利2018秋季拍卖会 >什袭之藏Ⅱ—马钱特暨东瀛甄选明瓷萃珍
5364 明嘉靖（1522-1569年） 白釉暗刻花卉纹小罐

白釉暗刻花卉纹小罐
拍品信息
LOT号 5364
作品名称 明嘉靖（1522-1569年） 白釉暗刻花卉纹小罐
作者 —
尺寸 高13.4cm
创作年代 明嘉靖（1522-1569年）
估价 150,000-200,000
成交价 RMB 207,000

「大明嘉靖年制」款

备注：
1.法国重要私人藏家旧藏
2.马钱特收藏，编号R9259

圆口，短颈，溜肩，深弧腹至底内敛，圈足，足部露胎。通体施白釉，釉色晶莹白润。外壁纹样均系先在胎上刻成，腹部刻缠枝花卉纹，下部暗刻变形蕉叶边饰及双圈弦纹为辅，简拙而大气。白瓷于明代晚期亦为宫廷用器，以明初制品最上，嘉万时期亦有极精之作贡御。其轻盈秀丽之态，体现出了恬静冷美、超然物外的特有色感，把白瓷推到了一个极为完美的境界，成了当此之时上层阶级的特权颜色。观之，如迎清风，若饮甘泉，赏心悦目。本品底施白釉，正中双圈内落青花“大明嘉靖年制”六字双行楷书款。

参考： 北京保利2019春季拍卖会 >佞宋 ——十面灵璧山居暨东瀛雅蓄宋元清翫
5492 元 钧窑月白釉倭角水盂

钧窑月白釉倭角水盂
拍品信息
LOT号 5492
作品名称 元 钧窑月白釉倭角水盂
作者 —
尺寸 直径7cm
创作年代 元
估价 200,000-300,000
成交价 RMB 230,000

备注：
· 香港私人收藏
· 香港吴继远先生收藏

水盂唇口、圆肩、瓜棱型腹、整体呈六葵瓣造型，平底圈足。形制小巧，浑圆可人，通体施钧窑月白釉，釉质肥润，底部亦施釉，口沿处釉薄与底足露胎处均呈现褐色，醒目而生动。深与浅，浓与淡，淳厚与轻盈，质朴与明艳；其釉质厚润，色泽随着器型的转折而丰富多变，器内、外底及外壁釉质肥厚，月白色中带灰蓝调，有如烟笼寒水，又若晨雾初起，神秘而又充满意蕴在小小的器物上体现和谐之道。

参考：纽约大都会博物馆 金元 钧釉 水盂太白尊 Jar, Jun ware, Chinese , Jin/Yuan Dynasty, Stoneware with splashed blue glaze., ca. 13th century
Chinese

Object Details
Artist:Chinese , Jin/Yuan Dynasty
Date:ca. 13th century
Culture:Chinese
Medium:Stoneware with splashed blue glaze.
Dimensions:Height 3 9/16 in. (9 cm.)
Classification:Ceramics
Credit Line: Robert Lehman Collection, 1975
Accession Number:1975.1.1666
Catalogue Entry

This rather thickly potted jar of squat, truncated-pear shape is covered inside and out with a heavily crazed and pitted purple- and crimson-splashed grayish blue glaze. The glaze ends in an uneven line on the exterior of the foot; the base is glazed as well. The body is fine-grained and burned buff. Two long cracks have been repaired with gold. In all likelihood, vessels of this shape were originally equipped with covers. A number of similar jars of somewhat finer quality have been dated to the Northern Song period.(1) This type of container was long-lived: a jar with grayish blue glaze that ends well above the foot was found in a Yuan dynasty site at Xitaohutong, Beijing.(2)

Catalogue entry from Suzanne G. Valenstein. The Robert Collection. Decorative Arts, Volume XV. Wolfram Koeppe, et al. The Metropolitan Museum of Art in association with Princeton University Press, 2012, p. 303.

NOTES:
1. See, for example, Metropolitan Museum, 50.145.314 (Valenstein, Suzanne G. A Handbook of Chinese Ceramics. The Metropolitan Museum of Art. New York, 1975, no. 40; Valenstein, A Handbook of Chinese Ceramics. Rev. and enlarged ed. The Metropolitan Museum of Art. New York, 1989, no. 79).
2. Zhongguo Kexueyuan Kaogu Yanjiusuo. “Beijing Xitaohutong he Houtaoyuan de Yuan dai juzhu yizhi (The Site of Yuan-Dynasty Residences at Xitaohutong and Houtaoyuan, Beijing). Kaogu, 1973, pl. 5,2, left.
Provenance
Charles W. Gould, New York; Gould sale, American Art Association, Anderson Galleries, New York, 27-29 October 1932, lot 479. Acquired by Robert Lehman from the Gould sale.
Timeline of Art History
Timelines
Central and North Asia, 1000-1400 A.D.
China, 1000-1400 A.D.
MetPublications
The Robert Lehman Collection, Volume XV: European and Asian Decorative Arts