晚清民国 粉彩海棠形八仙倭角花盆 暗八宝花盆托 套盆（对）

Description

晚清 粉彩海棠形倭角八仙花盆套盆（对）

参考：佳士得
12 9月 2019
現場拍賣 16950
重要中國瓷器及工藝精品
拍品 1105
A RARE PAIR OF FAMILLE ROSE TURQUOISE-GROUND SQUARE JARDINIÈRES
THE ROBERT B. AND BEATRICE C. MAYER FAMILY COLLECTION
清道光 松石地粉彩八仙紋方盆一對 礬紅 「慎德堂制」 四字楷書款
SHENDETANG ZHI MARKS IN IRON-RED, DAOGUANG PERIOD (1821-1850)

成交價 USD 62,500
估價 USD 60,000 – USD 80,000

清道光 松石地粉彩八仙紋方盆一對 礬紅 「慎德堂制」 四字楷書款
SHENDETANG ZHI MARKS IN IRON-RED, DAOGUANG PERIOD (1821-1850)
10 1/8 in. (25.7 cm.) wide

來源
Nagatani, Chicago, 2 February 1967.

展覽
On loan: Minneapolis, Minnesota, The Minneapolis Institute of Arts, March 1984-January 1995.

狀況報告
右侧的物品：
– 翻边口沿一角有修复，大约尺寸为11 x 1厘米，伴随有覆盖涂料
– 底部一个支距有磕伤
– 琺瑯和镀金有磨损和划痕，特别是口沿和内部，伴随两处小的修补
– 底部已经抛光

左侧的物品：
– 整体状况良好
– 琺瑯和镀金有磨损和划痕
– 底部已经抛光

One on the right side of the catalogue illustration:
-a restoration to one corner of the everted rim, measuring approx. 11 x 1 cm., with associated overpainting
-chip to one spur mark on the base
-wear and scratches to enamels and gilding, particularly to the everted mouth and the interior, with two associated small touch-ups
-the feet have been polished

One on the left side of the catalogue illustration:
-appears to be in overall good condition
-wear and scratches to enamels and gilding
-the feet have been polished

拍品專文
「慎德堂制」 是对道光皇帝的夏宫「培德堂」的致敬，这里生产了一系列专门用于装饰这个特定大厅的精美瓷器。有一个带有慎德堂标志的花瓶，上面装饰着在天蓝色背景上的图案，详见《故宫珍宝全集：珐琅彩及家族彩瓷器》，香港，1999年，图版195。

The Shendetang hall mark is a dedication to the Hall for the Cultivation of Virtue, a summer residence of the Emperor Daoguang, where a range of dedicated fine porcelains was made to furnish this particular hall. For a Shendetang-marked vase decorated with figures within panels reserved on a turquoise ground, see Porcelains with Cloisonne Enamel Decoration and Famille Rose Decoration, The Complete Collection of Treasures of the Palace Museum, Hong Kong, 1999, pl. 195.

参考：中国嘉德
2017年8月30日-9月1日
嘉德四季第49期拍卖会
瓷器
Lot.3028 民国 粉彩婴戏图花盆带奁 （一对）

Estimate CNY 18,000 ～ 28,000

Size
花盆直径17.7cm；奁直径17cm

Description
“麟趾呈祥”款

参考：中鸿信
2016春季拍卖
中国古董珍玩专场预展
1210 民国 粉彩婴戏图四方花盆一对

尺寸 H:21.2cm

估价 RMB 　30,000-60,000

参考：佳士得
7 10月 2020
現場拍賣 18243
古今 中國瓷器及工藝精品
拍品 387
A PAIR OF FAMILLE ROSE OCTAGONAL JARDINIERES AND STANDS
PROPERTY FROM THE QUEK KIOK LEE COLLECTION
二十世紀 粉彩靈芝蘭石圖八方花盆與盆托一對
20TH CENTURY

成交價 HKD 22,500
估價 HKD 30,000 – HKD 50,000

細節
二十世紀 粉彩靈芝蘭石圖八方花盆與盆托一對
盆托底鈐礬紅「大清乾隆年製」寄托款。
10 ¾ in. (27.3 cm.) wide

來源
郭克禮珍藏

参考：佳士得
拍品 45 澄园山房珍藏
民国/二十世纪 粉彩花鸟图方盆一对
REPUBLIC PERIOD-20TH CENTURY

估价: USD 2,000 – USD 3,000
成交价: USD 13,750

91⁄2 in. (24.1 cm.) wide
请注意，拍品为私人藏家所有。

来源
1950年前后于香港入藏，后家族传承。

参考：苏富比 514
IMPORTANT CHINESE ART
清康熙 鬥彩獻壽圖八方葵口大花盆一對 《大清康熙年製》款

300,000 — 500,000美元

拍品詳情
清康熙 鬥彩獻壽圖八方葵口大花盆一對 《大清康熙年製》款

來源
克利夫蘭藝術博物館，克利夫蘭
紐約佳士得2000年9月21日，編號358

IMPORTANT CHINESE ART
2019年3月20日 | 上午 10:00 EDT
紐約

参考：佳士得 拍賣 8833
中國瓷器、工藝精品及紡織品
倫敦南肯辛頓|2013年5月17日
拍品1475| 民国王琦 粉彩钟馗蝙蝠纹梨形瓶 VARIOUS PROPERTIES
A SMALL ENAMELLED PEAR-SHAPED VASE
BY WANG QI (1884-1937), CIRCA 1912-25

成交總額 GBP 30,000
估價 GBP 6,000 – GBP 10,000

A SMALL ENAMELLED PEAR-SHAPED VASE
BY WANG QI (1884-1937), CIRCA 1912-25
The vase is finely decorated around the body with Zhong Kui with a bat flying above his head. The body is painted with an iron-red artist’s seal and the base with another iron-red seal.
5 in. (12.2 cm.) high

参考：佳士得 拍賣 13981
中國瓷器及工藝精品
倫敦|2017年5月9日
拍品92 清 嘉庆 缠枝莲花盆
A PINK-GROUND FAMILLE ROSE FOLIATE JARDINIÈRE AND STAND
JIAQING SIX-CHARACTER SEAL MARKS IN IRON RED AND OF THE PERIOD (1796-1820)

成交總額 GBP 18,750
估價 GBP 15,000 – GBP 20,000

拍品92 清 嘉庆 缠枝莲花盆
A PINK-GROUND FAMILLE ROSE FOLIATE JARDINIÈRE AND STAND
JIAQING SIX-CHARACTER SEAL MARKS IN IRON RED AND OF THE PERIOD (1796-1820)

The lobed jardinière is decorated and gilt with bats and chimes separated by scrolling lotus, all reserved on a pink ground. The flat-topped rim is decorated with a yellow-ground band of flower sprays. The interior and base are enamelled turquoise around the seal mark. The stand is similarly decorated, and both are supported on four ruyi-head feet.
The jardinière, 6 ¾ in. (17.2 cm.) diam.

参考：佳士得拍賣 2816
中國出口瓷器
紐約|2014年1月27日
拍品391 清 粉彩花盆
A PAIR OF CHINESE EXPORT JARDINIERES AND STANDS
19TH CENTURY

成交總額 USD 15,000
估價 USD 6,000 – USD 8,000

關注拍品
A PAIR OF CHINESE EXPORT JARDINIERES AND STANDS
19TH CENTURY
Each of bat shape and raised on short bracket feet, the sides enameled with flowers and fruit growing from weathered rocks, the ends with auspicious objects, conforming stand with a band of flowering vine, all in bright famille rose colors
14¼ in. (36.1 cm.) wide (4)

参考：中国国家博物馆 清 康熙 五彩花鸟纹八方花盆

高32.2厘米，口径50.5厘米，足径31.1厘米
盆通体呈八方形，折沿，深腹。通体五彩装饰，盆身绘花鸟图，老树新枝，梅花、玉兰绽放，喜鹊栖于枝上，折角处绘翠竹纹。折沿上绘折枝花卉和飞鹤纹，近足处外壁凸起如意头八个，内绘折枝花卉纹。折沿下自右向左青花书“大清康熙年制”六字楷书款。底有一圆孔。

康熙官窑五彩多为碗、盘等小件器物，大件器物有花盆、瓶类。此器形制较大，古朴浑厚，气魄雄伟，画工苍劲有力，静动相生，显示出康熙时期制瓷的高超技艺。（撰稿：耿东升 张润平 摄影：邵玉兰 董清）

参考：北京东正
2016年夏季艺术品拍卖会
重要中国陶瓷及工艺品专场
清 粉彩八仙人物纹八方杯

估价：20,000-30,000 RMB
成交价： 46,000 RMB （含买家佣金）
尺寸：直径8.3cm

参考：中国嘉德
2018-05-18
嘉德四季第51期·仲夏拍卖会
嘉友藏瓷
4364 清晚期-民国 粉彩神仙人物纹、花鸟纹帽筒、花盆 （三件）

尺寸 高29cm；高28.5cm；长28cm
估价 RMB 　5,000-8,000
成交价 RMB 　11,500 HKD 　14,163USD 　1,725EUR 　1,265

参考：天津文物
2009-11-14
2009秋季展销会竞卖专场
中国瓷器
0462 民国 粉彩花卉人物纹四方花盆

尺寸 23.5cm
估价 RMB 　48,000-48,000
成交价 RMB 　101,200 HKD 　114,869USD 　15,180EUR 　11,132
“雍正年制”四字二行楷书款
说明 呈四方形，折沿，深腹，圈足。腹部主体分绘人物、花卉，器底落“雍正年制”款。

参考：2016年夏季拍卖会
重要中国陶瓷及工艺品专场
9 清 粉彩八仙人物纹八方杯

估价 RMB：20,000-30,000
成交价 RMB：46,000
尺寸(CM)：D 8.3
钤印/款识：“培荫轩”三字单行楷书款

参考：北京保利
2015-04-26
第30期精品拍卖会
瓷器·玉器·工艺品
1184 清晚期 粉彩无双谱花盆 （一对）

尺寸 直径26cm
估价 RMB 　12,000-20,000
成交价 RMB 　13,800 HKD 　17,250 USD 　2,070 EUR 　1,518
说明 一只有伤、一只有磕

参考：IMPORTANT CHINESE ART
3657
A RARE LARGE FINELY PAINTED FAMILLE-VERTE JARDINIERE
MARK AND PERIOD OF KANGXI

Estimate 3,000,000 — 4,000,000 HKD

A RARE LARGE FINELY PAINTED FAMILLE-VERTE JARDINIERE
MARK AND PERIOD OF KANGXI

of square section with canted corners, robustly potted with deep flaring sides rising from a stepped splayed foot to a wide everted rim, the four main facets brightly enamelled depicting a magpie perched on leafy bamboo shoots beside sprigs of lingzhi growing from rocks, variously interspersed with flowers and insects, the narrow sides decorated with further lingzhi and bamboo, all above moulded lappets at the foot each enclosing leafy floral sprays reserved against a stippled green ground, the top of the everted rim painted with cranes in flight amongst scrolling clouds divided by flowering and fruiting branches of peach, inscribed to one side in underglaze blue with a horizontal six-character reign mark below the rim
w. 51.6 cm, 20 1/4 in.

PROVENANCE
Collection of Louiston Guest.
Sotheby’s New York, 2nd December 1967, lot 93.
Estate of Brooke Astor.
Sotheby’s New York, 24th/25th September 2012, lot 626.

CATALOGUE NOTE

Elegantly painted with birds in blossoming trees reminiscent of that found in albums and paintings, this jardinière is a fine example of the mature style of Kangxi imperial porcelain. The large vessel has been formed in a mould, rather than thrown on a wheel, to great success: the technical feat of successfully creating a precise and harmonious form of this size is remarkable. Jardinières of this type appear to have been made in pairs, of which large square-section planters with canted corners and a continuous waisted foot, as seen here, are the rarest of the formulations. For the companion to the present piece, see one in the National Palace Museum, Taipei, illustrated in Sekai toji zenshu / Ceramic Art of the World, vol. 15, Tokyo, 1983, pls 5 and 6. A further jardinière of this type, with a slightly varied rendering of the bird and flower theme, from the Qing court collection and still in Beijing, is published in The Complete Collection of Treasures of the Palace Museum. Porcelains in Polychrome and Contrasting Colours, Hong Kong, 1999, no. 95.

Peter Y.K. Lam, in ‘Lang Tingji and the Porcelain of the Late Kangxi Period’, Transactions of the Oriental Ceramic Society, vol. 68, 2003-2004, p. 44, suggests that these jardinières were produced in the latter years of the Kangxi reign, possibly commissioned for the Emperor’s 70th birthday, which would have occurred in 1723. Paintings of Qing imperial birthdays illustrate the display of jardinières, antiquities, and artworks as part of the opulent celebrations, which suggests that this group of imperially marked jardinières would have been filled with appropriate plants and placed on view for guests to admire during the festivities. For paintings illustrating the Kangxi Emperor’s 60th birthday celebration and the Qianlong Emperor’s 70th birthday celebrations, see two included in the exhibition China: The Three Emperors, 1662-1795, Royal Academy of Arts, London, 2005, cat. nos 25 and 26.

According to Lam, the style of the reign marks on the jardinière also point to a date late in the Kangxi Emperor’s reign. His research indicates that between 1713 and 1722, artisans began writing ‘Qing’ with a vertical interior stroke in the ‘moon’ radical (Peter Y. K. Lam, ‘Lang Tingji and the Porcelain of the Late Kangxi Period’, Transactions of the Oriental Ceramic Society, vol. 68, 2003-2004, p. 44). This is precisely the style of reign mark that occurs on the present jardinière and others of its type.

Imperial Kangxi jardinières of this group share a number of features including the impressive size, faceted bodies and six-character reign marks on the underside of the rim. A closely related Kangxi-marked jardinière of this size, also decorated with birds among bamboo, was sold at Christie’s New York, 19th September 1996, lot 287. A jardinière of this form, but decorated with Xiwangmu on one side and attendants on the other sides, was sold at Christie’s London, 15th May 2007, lot 282, and again in our New York rooms, 20th March 2018, lot 367, from the Jie Rui Tang collection; and another, but of elongated hexagonal form and bracket-lobed rim, from the Qing Court collection, is included in The Complete Collection of Treasures of the Palace Museum. Porcelains in Polychrome and Contrasting Colours, op. cit., no. 192. Compare also a bird and flower decorated jardinière of hexagonal form, but with shaped rim and raised on four ruyi-form legs, the Kangxi reign mark in black enamel, sold twice at Christie’s London, 19th April 1983, lot 357, and 12th November 2002, lot 72.

参考：KANGXI: THE JIE RUI TANG COLLECTION
367 A LARGE DOUCAI ‘IMMORTALS’ JARDINIERE
KANGXI MARK AND PERIOD
大清康熙 斗彩神仙人物纹花盆
Estimate 350,000 — 500,000 USD
LOT SOLD. 399,000 USD

A LARGE DOUCAI ‘IMMORTALS’ JARDINIERE
KANGXI MARK AND PERIOD
of square section with canted corners, the sides sweeping upward from a waisted foot to a flat everted rim, the exterior painted in rich enamels outlined in softly colored underglaze blue, the continuous composition dominated by the roiling Eastern Sea punctuated by vertiginous peaks of the Islands of Immortality, one side with the Queen Mother of the West tranquilly traversing the crested waves on the back of a white elephant, a crane flying towards her with a scroll and a female attendant following closely astride a qilin, the other sides with additional attendants journeying on qilin, heavenly horses, petals, and leaves bearing auspicious gifts for the goddess, the foot molded with foliate cartouches enclosing scrolling lotus, pendent leafing pomegranate dangling between each cartouche, the top of the broad rim with stylized shou characters and prunus blossoms against a floral brocade ground, the underside of the rim with two horizontal six-character marks in underglaze blue, the lower interior and base unglazed, the base centered with a large circular aperture, coll. no. 1572.
Width 20 1/8 in., 51.1 cm

The jardinière is in overall good condition. There is restoration at the rim to a small chip at one corner and to minor frits.

In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby’s is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

PROVENANCE
Milan Private Collection.
Christie’s London, 15th May 2007, lot 282.
EXHIBITED
Embracing Classic Chinese Culture: Kangxi Porcelains from the Jie Rui Tang Collection, Sotheby’s, New York, 2014, cat. no. 25.
LITERATURE
Michel Beurdeley and Guy Raindre, Qing Porcelain: Famille Rose, Famille Verte, London, 1987, fig. 62.
Jeffrey P. Stamen and Cynthia Volk with Yibin Ni, A Culture Revealed: Kangxi-era Chinese Porcelain from the Jie Rui Tang Collection, Bruges, 2017, pl.

CATALOGUE NOTE
SOWING THE SEEDS OF LONGEVITY:
IMPERIAL ‘BIRTHDAY’ JARDINIERES OF THE LATE KANGXI PERIOD
The present jardinière represents the pinnacle of doucai porcelain in the Kangxi period. The colors are clear and crisp, applied in a harmonious balance of soft and vibrant tones, imbuing the coursing waves, mythical beasts, and immortal maidens with dynamism and vivacity. The boldness of the enamels and scale of the vessel mark a departure from delicate, restrained doucai porcelains of the Ming dynasty. The brushwork, too, places the jardinière in a mature phase of Qing dynasty porcelain production. As James Watt observed, jardinières of this type adopt Transitional Period Daoist subject matter, yet they have finer brushwork, a higher level of detail, and pictorial elements borrowed from woodblock-printed pattern books and painting manuals, all of which characterize Qing porcelain painting in the eighteenth century (Wen C. Fong and James C. Y. Watt, Possessing the Past: Treasures from the National Palace Museum, Taipei, Metropolitan Museum of Art, New York, p. 506). According to Peter Y. K. Lam, the style of the reign marks on the jardinière also point to a date late in the Kangxi emperor’s reign. His research indicates that between 1713 and 1722, artisans began writing ‘Qing’ with a vertical interior stroke in the ‘moon’ radical (Peter Y. K. Lam, ‘Lang Tingji and the Porcelain of the Late Kangxi Period’, Transactions of the Oriental Ceramic Society, vol. 68, 2003-2004, p. 44). This is precisely the style of reign mark that occurs on the present jardinière and others of its type.

Lam further proposes that porcelains combining longevity subjects and this style of reign mark were produced in 1722 in anticipation of the Emperor’s 70th birthday the following year (ibid., p. 44). This corroborates Watt’s opinion that the National Palace Museum’s jardinière of a similar subject and style was made as part of a set specifically for the Kangxi emperor’s birthday (op. cit., p. 506). Paintings of Qing imperial birthdays illustrate the display of jardinières, antiquities, and artworks as part of the opulent celebrations, which suggests that this group of imperially marked ‘longevity’ jardinières would have been filled with appropriate plants and placed on view for guests to admire during the festivities. For paintings illustrating the Kangxi emperor’s 60th birthday celebration and the Qianlong emperor’s 70th birthday celebration, see China: The Three Emperors, 1662-1795, Royal Academy of Arts, London, 2005, cat. nos 25 and 26.

Imperial Kangxi jardinières of this birthday-themed group share a number of features including impressive size, doucai decoration, faceted bodies, immortality motifs, and two horizontal six-character reign marks inscribed in underglaze blue on the underside of the rim. Known examples have either six or eight sides, an everted rim that is either shaped or geometric, and either a continuous waisted foot or multiple ruyi-form feet. The large square-section planters with canted corners and a continuous waisted foot, as seen here, are the rarest of the formulations. A famille-verte jardinière of this form with bird and flower motifs from the Qing Court Collection and now in the Palace Museum is illustrated in Complete Collection of Treasures of the Palace Museum: Porcelains in Polychrome and Contrasting Colors, Hong Kong, 1999, cat. no. 95. A jardinière of related form, with the same base decoration but with bird and flower decoration from the collection of Brooke Astor was sold in these rooms, 24th September 2012, lot 626.

Three doucai jardinières belonging to the Imperial ‘birthday’ group have remained in the Palace collections. An elongated hexagonal example with a waisted foot, shaped rim, and an image of male immortals by a roiling sea is now in the Palace Museum, Beijing, ibid., cat. no. 192 (fig. 1). A second jardinière with this shape and subject, but supported on ruyi feet, is in the collection of the National Palace Museum, Taipei, illustrated by Wen C. Fong and James C. Y. Watt, op. cit., pl. 289. The third of this type, also in the National Palace Museum, Taipei, is of hexagonal form set on ruyi feet, illustrated in Porcelain of the National Palace Museum: Enameled Ware of the Qing Dynasty, vol. 1, Hong Kong, 1969, pl. 5. A related pair of elongated hexagonal jardinières with male Daoist immortals and lobed rims sold at Sotheby’s London, 10th July 1979, lot 175. A similar example with male immortals, a shaped rim, and a diaper pattern around the waisted foot sold at Christie’s Hong Kong, 28th November 2005, lot 1336. Another jardinière, also with male Daoist immortals and a shaped rim but resting on ruyi feet sold at Sotheby’s Hong Kong, 31st October – 1st November 1974, lot 271 and again at Christie’s New York, 15th-16th September 2011, lot 1549. In each case, the reign mark is written in the same manner with a vertical stroke at the interior of the ‘moon’ radical in ‘Qing’.

参考：伦敦邦瀚斯
2015年亚洲艺术品秋季拍卖会
中国艺术珍品
民国 粉彩婴戏图方形花盘连座一对
矾红「麟趾呈祥」楷书款

估价：15,000-20,000 GBP
未成交
尺寸：高20.9cm

拍品说明：
来源： 郭伯伟爵士（1915-2006）旧藏。郭伯伟爵士于1961至1971年期间出任港英政府财政司，任内提倡自由放任之经济政策，为日后港府积极不干预之管治理念奠定基础。

参考：伦敦邦瀚斯
2015年亚洲艺术品秋季拍卖会
中国艺术珍品
民国 粉彩高士花石图瓷板 一组六件
Lot 253 民国 粉彩高士花石图瓷板 一组六件

估价：4,000-6,000 GBP
未成交
尺寸：26x19cm

拍品说明：
来源： 欧洲显赫私人收藏