景泰蓝双螭龙耳瓶铜尊壶

Description

景泰蓝双螭龙耳瓶

参考：观复博物馆
明晚期 铜洒金饕餮（tāo tiè）纹龙首方壶
Data by GuamfuMuseum on 2020-09-11

洒金为在事先铸造好的器物外面涂一层漆，在上面贴以金片，再刷漆，最后打磨，直到把金片与漆层打磨平齐即可。金片点缀自然，犹如雪花洒落其上故名洒金。

此壶铜铸，造型挺拔，器型古朴。形体方正，有盖，攒顶，上置一钮。壶身斜直口、短颈、耸肩，下置撇圈足，足内阳文“淡而不厌”四字，字体笔划清晰，颇具力道。在装饰上也颇为气派，颈部与圈足以云雷纹为地，上部浮雕凤鸟纹；肩部置龙首耳，显出苍劲威猛之势；腹部浮雕饕餮纹。纹饰之间均起阳线分割，看似繁多，但布局严谨、规划清晰。纹饰之外的地方则以洒金为饰。无论器型还是纹饰，直追商周，为明代文人慕古之作。

参考：佳士得
18 9月 2014 | 现场拍卖 2872
中国瓷器及工艺精品
拍品 976 清 铜胎珐琅彩大壶
ANOTHER PROPERTY
A LARGE ARCHAISTIC FAUX BRONZE HU-FORM VASE
19TH CENTURY

成交价 USD 25,000
估价 USD 20,000 – USD 30,000

A LARGE ARCHAISTIC FAUX BRONZE HU-FORM VASE
19TH CENTURY
The body is carved with two bands of angular dragon scroll above a band of pendent blades and below a band of upright blades at the base of the neck, and ‘mask and ring’ handles are applied to the shoulder, all in gold on a black ground, with imitation encrustation in gold and turquoise enamel on areas of the exterior, interior of the neck and the base, which is carved with an apocryphal Qianlong seal mark.
20¾ in. (52.7 cm.) high

来源
Private collection, United States, before 1968, and thence by descent within the family.
Chia-Chu and Siao-Mei Chang Collection; Christie’s New York, 13-14 September 2012, lot 1586.

状况报告
We have sought to record changes in the condition of this piece acquired after its initial manufacture.
– repaired breaks to the lower body with areas of touch ups
a crack running across the base through the mark
areas of touch up to the foot and mouth rim
expected rubbing to the gilt decoration

参考：佳士得
14 May 2018 | Live Auction 16837
Rarity and Refinement: Treasures from a Distinguished East Asian Collection
Lot 3 清乾隆 珐琅彩梨形壶
A SMALL CLOISONNÉ ENAMEL PEAR-SHAPED VASE, HU
QIANLONG FOUR-CHARACTER MARK CAST IN RELIEF WITHIN A SQUARE AND OF THE PERIOD (1736-1795)

Price realised GBP 97,500
Estimate GBP 50,000 – GBP 80,000

A SMALL CLOISONNÉ ENAMEL PEAR-SHAPED VASE, HU
QIANLONG FOUR-CHARACTER MARK CAST IN RELIEF WITHIN A SQUARE AND OF THE PERIOD (1736-1795)

Details
A SMALL CLOISONNÉ ENAMEL PEAR-SHAPED VASE, HU
QIANLONG FOUR-CHARACTER MARK CAST IN RELIEF WITHIN A SQUARE AND OF THE PERIOD (1736-1795)

Each side of the vessel is exquisitely decorated with a large golden-olive taotie mask surrounded by gilt wire lotus scroll, below a narrow band cast in relief with classic scroll and further blue taotie masks on the neck. The mouth rim is delicately encircled by another narrow band of classic scroll.
4 3/8 in. (11.2 cm.) high

Provenance
Sotheby’s New York, 31 May 1989, lot 30
Christie’s New York, 20 September 2005, lot 113

Special Notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie’s immediately after the auction.

Condition Report
We have sought to record changes in the condition of this piece acquired after its initial manufacture.
The piece appears to be in overall good condition with light surface wear and small dents to the metal consistent with age and use.

The vase is well crafted and the colours are attractive. The weight and execution of detail places it among the fine pieces of cloisonné enamel from the Qianlong period.

Lot Essay
The present lot appears to be related to three cloisonné zun that have the same Qianlong four-character mark cast in relief and archaistic decoration that includes golden-olive taotie masks, as well as subsidiary taotie masks in blue. See The Complete Treasures of the Palace Museum – 43 – Metal-bodied Enamel Ware, Hong Kong, 2002, p. 119, no. 115; H. Brinker and A. Lutz, Chinese Cloisonné: The Pierre Uldry Collection, The Asia Society Galleries, New York, 1989, no. 268; and the Alfred Morrison Collection, Fonthill House, sold by order of the Lord Margadale of Islay, D.L., Christie’s, London, 9 November 2004, lot 45.

The decoration and shapes of all of these vessels was inspired by ancient bronzes, and reflect the fashion for archaism during the Qianlong reign. They also display highest quality craftsmanship that seems to apply to all Qianlong cloisonné enamel vessels bearing the same cast mark.

参考：佳士得
8 6月 2021 | 現場拍賣 19974
亞洲藝術
拍品 171
GRAND VASE ARCHAISANT EN BRONZE ET INCRUSTATIONS D’OR ET D’ARGENT
清 銅嵌金銀獸面紋仿古大瓶
CHINE, DYNASTIE QING (1644-1911)

成交價 EUR 50,000
估價 EUR 6,000 – EUR 8,000

清 銅嵌金銀獸面紋仿古大瓶
Hauteur: 46 cm. (18 1/8 in.)

注意事項
This item will be transferred to an offsite warehouse after the sale. Please refer to department for information about storage charges and collection details.

拍品專文
A LARGE GOLD AND SILVER-INLAID BRONZE ARCHAISTIC VASE
CHINA, QING DYNASTY (1644-1911)

狀況報告
We have sought to record changes in the condition of this piece acquired after its initial manufacture.
A horizontal crack to the middle section joint.
One handle has been refixed.
Otherwise the vase is in good overall condition with some casting flaws, age-related wear and surface scratches/nicks.

参考：佳士得
14 5月 2015 | 現場拍賣 10417
中國陶瓷、工藝精品與紡織品
拍品 720
清 珐琅彩镶银饕餮纹铜壶
A LARGE ARCHAISTIC SILVER-INLAID AND GILT-EMBELLISHED BRONZE VASE, HU
17TH OR 19TH CENTURY

成交價 GBP 10,000
估價 GBP 6,000 – GBP 8,000

A LARGE ARCHAISTIC SILVER-INLAID AND GILT-EMBELLISHED BRONZE VASE, HU
17TH OR 19TH CENTURY

細節
A LARGE ARCHAISTIC SILVER-INLAID AND GILT-EMBELLISHED BRONZE VASE, HU
17TH OR 19TH CENTURY
The vase is cast to the exterior with bands of archaistic taotie, birds and kui dragons reserved on leiwen grounds, between stiff leaves to the neck and lower body. The neck is applied with two feline-form handles.
29 ¾ in. (75.5 cm.) high

狀況報告
We have sought to record changes in the condition of this piece acquired after its initial manufacture.

One of the scrolling ends to one handle has been repaired.
There is a small repair to one of the flanges on the shoulder
There are some dents to the mouth and foot rim.
There are some minor losses to the gold and silver inlay.
There is some general age-related surface wear.