清乾隆 鎏金寿字龙纹铜香炉

Description

清乾隆 鎏金寿字龙纹铜香炉

参考：佳士得 拍賣 12289
中國瓷器、工藝品及紡織品（第一部分）
倫敦南肯辛頓|2016年5月11日
拍品208 明清 鎏金鼓形三足炉
A PARCEL-GILT DRUM-FORMED TRIPOD CENSER
17TH-18TH CENTURY

成交總額 GBP 8,125
估價 GBP 1,000 – GBP 2,000

A PARCEL-GILT DRUM-FORMED TRIPOD CENSER
17TH-18TH CENTURY
The censer is modelled with four tiers and it is supported on three elephant-head feet. The sides are moulded with kui dragons and a pair of elephant-head handles between bands of raised nodes.
3 ¾ in. (9.5 cm.) high, wood stand

來源
Property from the Professor Frederick Seguier Drake (1892-1976) Family Collection.
Property from the Collection of Mr and Mrs Bernard Drake.

参考：佳士得
拍賣 10416
中國陶瓷、工藝精品與紡織品
倫敦南肯辛頓|2015年5月12日
拍品264 A PARCEL-GILT BRONZE PART INCENSE GARNITURE QIANLONG SIX-CHARACTER SEAL MARKS AND OF THE PERIOD (1736-1795)

成交總額 GBP 10,000
估價 GBP 1,000 – GBP 1,500

A PARCEL-GILT BRONZE PART INCENSE GARNITURE
QIANLONG SIX-CHARACTER SEAL MARKS AND OF THE PERIOD (1736-1795)
The first is a conjoined tool vase decorated in relief with a pair of phoenix to the lower body and two bats to the neck. The second is a matching box and cover decorated with pairs of archaistic confronting chilong to each side and a stylised taotie mask to the cover.

The larger, 5 ¼ in. (13.4 cm.) high

來源
Christie’s South Kensington, 14 July 2006, lot 46.
Property from the Sui Yuan Zhai Collection.

参考：佳士得
拍卖 13751
中国瓷器及工艺精品
纽约|2017年9月14日 – 15日
拍品1024
PROPERTY FROM AN AMERICAN PRIVATE COLLECTION
A RARE THREE-PIECE GREEN JADE INCENSE GARNITURE 18TH CENTURY

成交总额 USD 52,500
估价 USD 40,000 – USD 60,000

A RARE THREE-PIECE GREEN JADE INCENSE GARNITURE
18TH CENTURY

The garniture is comprised of a covered censer, a tool vase and an incense box and cover, all with lobed corners. The censer is carved with a band of intertwined archaistic serpents above a band of shou characters flanked by archaistic motifs, and has a pair of animal-mask and loose ring handles on the narrow sides. The cover is carved in high relief at each corner with a coiled chilong and is surmounted by a coiled, openwork dragon finial. The tool vase is carved in low relief with intertwined archaistic dragons, and the slightly domed cover of the box is carved with a formal floral motif within a border of conjoined C-scrolls. The semi-translucent stone is of mottled green color and rich tone.

The censer 5 ¾ in. (14.7 cm.) wide, hongmu stands

来源
George H. Taber (1859-1940) Collection, and thence by descent within the family.

拍品专文
George Hathaway Taber Jr. (1859-1940) was a prolific collector of Chinese ceramics and jades with a discerning eye. He was the son of Capt. George H. Taber (1808-1901), who rose from a humble background to become a prominent member of the community and held a number of important official positions including serving as President of Fairhaven Bank. The younger Taber made his mark as an oil executive and ultimately as a board member with the Gulf Oil Company. A self-taught engineer, he was instrumental in developing important advances in the oil-refining technique. Believed to have been influenced by a relative who had brought back tales and beautiful objects from his travels in China, George Hathaway Taber, Jr. built up an extraordinary collection, which was loaned or gifted to a number of museums, including the Philbrook Museum, to form the core of the Chinese collection. Upon his death in 1940, the collection was split up between his descendants, and part of it was sold at the Park Bernet Galleries, New York, 7-8 March 1946.

Compare with incense garnitures produced in a variety of materials in the National Palace Museum, Taipei, included in the Special Exhibition of Incense Burners and Perfumers Throughout the Dynasties, 1994, and illustrated in the Catalogue, nos. 82 and 89 (porcelain imitating early bronzes), nos. 84 and 85 (white jade), no. 86 (champlevé enamel), no. 87 (molded celadon porcelain), and no. 88 (enamel on metal).

The ritual of incense burning served not only a spiritual element, but it facilitated other more practical purposes, such as the fumigation of clothes. Each of these vessels was used for a specific purpose: the box and cover for storage of incense, either in strip, coil or pellet form, whilst the tool vase accommodated implements such as chopsticks and a spatula to rake or smooth the bed of ashes placed in the censer.

Compare, also, with two jade garnitures sold at Christie’s Hong Kong, 30 October 2000, lot 657 (celadon jade) and lot 658 (white jade).

编制图录及详情
拍品前备注
PROPERTY FROM AN AMERICAN PRIVATE COLLECTION

參考：紐約大都會博物館
清 玉香炉
Incense Burner on Stand
China
On view at The Met Fifth Avenue in Gallery 219

Object Details
Period:Qing dynasty (1644–1911), Qianlong period (1736–95)
Culture:China
Medium:Nephrite
Dimensions:H. 4 1/4 in. (10.8 cm); W. 6 1/4 in. (15.9 cm)
Classification:Jade
Credit Line:Bequest of Edmund C. Converse, 1921
Accession Number:21.175.45a–c
Provenance
Edmund Cogswell Converse , Greenwich CT (until d. 1921) bequeathed to MMA
Timeline of Art History
Timelines
Central and North Asia, 1600-1800 A.D.
China, 1600-1800 A.D.

參考：紐約大都會博物館
清 玉香炉
Covered Incense Box
China
On view at The Met Fifth Avenue in Gallery 219

Object Details
Period:Qing dynasty (1644–1911), Qianlong period (1736–95)
Culture:China
Medium:Nephrite
Dimensions:H. 1 1/2 in. (3.8 cm); W. 2 1/4 in. (5.7 cm); D. 1 7/8 in. (4.8 cm)
Classification:Jade
Credit Line:Bequest of Edmund C. Converse, 1921
Accession Number:21.175.47a–c
Provenance
Edmund Cogswell Converse , Greenwich CT (until d. 1921) bequeathed to MMA
Timeline of Art History
Timelines
Central and North Asia, 1600-1800 A.D.
China, 1600-1800 A.D.

參考：紐約大都會博物館
清 玉瓶 Vase on Stand
China

Object Details
Period:Qing dynasty (1644–1911), Qianlong period (1736–95)
Culture:China
Medium:Nephrite
Dimensions:H. 4 1/8 in. (10.5 cm); W. 1 5/8 in. (4.1 cm)
Classification:Jade
Credit Line:Bequest of Edmund C. Converse, 1921
Accession Number:21.175.46a, b
Provenance
Edmund Cogswell Converse , Greenwich CT (until d. 1921) bequeathed to MMA
Timeline of Art History
Timelines
Central and North Asia, 1600-1800 A.D.
China, 1600-1800 A.D.

参考：上海匡时2018春季拍卖会
大器—瓷器工艺品精品夜场
马庆华作品 和田籽玉炉瓶 （三件套）

估价：估价待询
成交价： 34,500,000 RMB （含买家佣金）
尺寸： 高6.8cm；高21cm；高21cm

拍品说明：
说明：“炉瓶三事”也称为“炉瓶盒三事”，它是由炉、瓶、盒三个主要器件组成的一整套燃香用的器具，缺一不可，故称“三事”。 瓶炉三事作为达官贵族家中常见的清雅陈设之器，在文学作品中也常见到。《红楼梦》第五三回：“这里贾母花厅上摆了十来席酒，每席傍边设一几，几上设炉瓶三事，焚着御赐百合宫香。”《再生缘》第一卷第七十四回“娶新人翁姑心乐”也说：炉瓶三事茶几摆，汉铜宝鼎设中间，金银酒器调羹碟，茶杯象着玉杯盘。本套作品以上等和田籽玉雕成，纹饰造型以清宫所藏乾隆时期为样本，工艺精湛，雕工细腻，抛光上乘，与乾隆宫廷玉雕之器不分伯仲。马庆华，全面继承古人精湛玉雕工艺的同时，融汇了当代人全新的人文精神和艺术追求，他所创作的玉雕作品选材均来自于新疆和田玉白玉籽料，用料考究、工艺精湛、立意高远、气韵传神，似有古人遗风，是中国传统文化与现代玉雕工艺的完美结合，代表着中国传统玉雕工艺的最高水准及审美意趣。

参考： 保利香港2019春季拍卖会
中国古董珍玩专场
清乾隆 白玉雕环耳四足炉

估价：1,400,000-2,000,000 HKD
成交价： 2,124,000 HKD （含买家佣金）
尺寸： 高14.3cm

拍品说明：
出版《清代玉雕之美》，国立历史博物馆，1997年，图版87 展览1. 《清代玉雕美国巡回展》，美国加州宝尔博物馆，1997年9月7日至1998年3月1日2. 《清代玉雕美国巡回展》，美国德州休士顿自然科学博物馆，1998年4月3日至9月7日整体形制近方形，四圈足外凸，带黑色器盖，以羊形为钮，此钮圆雕，双羊依偎呈卧状，打磨圆润，构思巧妙，生动写实，双羊寓「洋洋得意」之意。唇与腹部雕琢龙形耳，其上附活环。上腹浅雕龙纹，彼此相交，错综复杂，刻划线条流畅宛转自如，细部特征无一遗漏，明显系精雕之作；下腹浅浮雕「囍」字，足见此器应有喜庆之用。整器威仪十足，神采奕奕；构图严谨细致，造型古朴淡雅，模范严谨，精美别致；器表打磨光滑，工艺高超，制作精细，保存完好；玉质温润洁白，含光拔萃，精气耀人。此器造型及比例匀称、庄重，纹饰繁缛雄伟但不失细腻、准确，而且色调搭配极为合理，用料大气，取材厚实，充满了高贵脱俗的气质。这件白玉双羊钮仿古活环龙耳炉，富丽奢华，保存品相良好，令人叹为观止。

参考：California Asian Art Auction
Nov. 18, 2012
Lot # 34 A CHINESE PARCEL-GILT BRONZE INCENSE GARNITURE
“大清乾隆”款 局部鎏金銅螭龍紋爐瓶盒一套（3件）

Dimension: H: 4 in (10 cm ), 8 1/8 in (H:20.5 cm ) , 2 in (H: 5 cm )
Estimate From: $2000
Estimate To: $4000
The set includes three pieces; one vase shaped vessel with spoon-like utensil; a censer with two elephant ear handles, a foo dog on top, and intricate animal patterns; and a small covered jar, also with intricate patterns; a similar incense garniture set was auctioned in Hong Kong Christie’s in November, 2005; mark of “QIANLONG”.

参考：IMPORTANT CHINESE WORKS OF ART (PART I)
Hong Kong|28 November 2005
LOT 1454 A RARE PARCEL-GILT BRONZE INCENSE GARNITURE

Price realised HKD 120,000
Estimate HKD 100,000 – HKD 150,000

Comprising a censer of rectangular form with rounded corners, the mid-section cast with a horizontal line, dividing two pairs of archaistic dragons above and below on one vertical side, similarly repeated on the reverse, the rounded corners decorated with bejewelled tassels above tied pairs of ruyi sprays, the shorter sides flanked by a pair of dragon-head handles, the domed cover cast in openwork with similar archaistic dragons, surmounted by a recumbent lion finial; a matching rectangular box and cover similarly decorated with pairs of confronted chilong on each of the vertical sides, the flattened cover with a stylised taotie-mask; and a conjoined tool vase with a pair of phoenix on the lower body, the tapering neck with a pair of bats below pendant beaded tassels; accompanied by a spatula
The vase 5 1/4 in. (13.3 cm.) high, box (4)

Ravenel.com
707 A PARCEL-GILT BRONZE PART INCENSE GARNITURE
Qing Dynasty, Qianlong Period (1736-1795)

H: 13.5 cm
H: 6 cm

Estimate TWD420,000 – 600,000 HKD113,000 – 162,000 USD14,500 – 20,700 RMB91,000 – 130,000
Taiwan Angela Chang +886 2 2708 9868 x 585
Hong Kong Vivi Ho +852 2889 0859
Beijing Yi Zhu +86 10 8587 8099
Shanghai Xiu Lee +86 21 6228 2883
PROVENANCE:
Property from the Sui Yuan Zhai Collection
Christie’s South Kensington, 14th July 2006, Lot 46
Christie’s South Kensington, 12th May 2015, Lot 264

Catalogue Note:
This lot is made of fine bronze partially gilt, consisting of two pieces with a bottle and a box. The bronze bottle is of slightly flat oval shape with a narrow neck, surface carved with images of phoenixes and bats. The box is of rectangular form, surface carved in relief with stylized chilong. Both of the pieces are inscribed on the bottom with the six-character mark Daqing Qianlong Nianzhi.

参考：佳士得
香港-2016年春季拍卖会-
拍賣 12555
中國宮廷御製藝術精品
重要中國瓷器及工藝精品
Convention Hall|2016年6月1日
拍品3406
清乾隆 局部鎏金銅拐子龍紋香盒 六字篆書鑄款
QIANLONG SIX-CHARACTER MARK WITHIN A DOUBLE SQUARE AND OF THE PERIOD (1736-1795)
中国宫廷御制艺术精品 重要中国瓷器及工艺精品
Lot 3406 清乾隆 局部鎏金铜拐子龙纹香炉 六字篆书铸款

成交總額 HKD 225,000
估價 HKD 150,000 – HKD 250,000
尺寸 宽7.9cm

狀況報告
謹請注意，所有拍品均按「現狀」拍賣，閣下或閣下的專業顧問應于拍賣前親自查看拍品以評鑒拍品之狀況。
– 整體品相良好；
– 表面和邊緣有撞痕和微磕，鎏金有磨損，屬於正常現象；

参考：嘉德香港2016年秋季拍卖会
观古—瓷器珍玩工艺品
清 碧玉香炉、瓶、香盒 （一组）

估价：80,000-120,000 HKD
未成交
尺寸： 高15cm

拍品说明：
玉质为墨绿色，三件造型均呈方形，方中带圆，均配红木底座。炉带盖，子母口，四角为圆瓶式拐角，足部内收呈四柱圈足。双龙首耳衔活环。盖上为圆雕立龙。炉腹饰交错螭龙组成的菱形纹，胫部饰浮雕变形蝉纹及“寿”字纹。瓶之形制、纹饰与炉相仿，无盖，瓶唇起浮雕雕刻如意云纹。盒为方形，带盖，子母口。四角为如意形拐角，上饰如意云纹，盖中央浅浮雕随角弯曲的螭龙。瓶、炉、盒三式组合兴于清代，有青玉、碧玉、白玉之分，纹饰与造型也多有殊异，多是文房用具，炉可以燃香，盒可以贮存香料，瓶内一般插铲灰所用之着。做工精细、玉质上乘的瓶、炉、盒还多用于陈设，既是财富价值的体现，也是文化品味的标榜。此碧玉三式组合，玉质上乘，造型别致，设计精巧，雕工精湛，是具有较高艺术价值的文房陈设品。类似器物，见《中国传世玉器·清》，167页