清康熙 青花冰裂冰梅蓋罐姜罐

Description

清康熙 青花冰裂冰梅蓋罐姜罐

参考：保利2008金秋拍卖会
瓷器 玉器 工艺品
1103 清康熙 青花冰梅罐

尺寸 高25cm
估价 无底价
成交价 RMB 33,600

带盖
底有纹

参考：佳士得
17 9月 2019 | 網上拍賣 18514
芝加哥藝術博物館珍藏中國藝術（網上拍賣）
拍品 4
清康熙 青花冰梅紋開光博古圖蓋罐
KANGXI PERIOD (1662-1722)

成交價 USD 6,250
估價 USD 3,000 – USD 5,000

The jar is decorated with blossoming prunus on a ‘cracked ice’ ground with three shaped panels enclosing various ‘antiques’, the cover is decorated with a similar prunus pattern.
13.3/4 in. (35 cm.) high

來源
Matilda (1837-1912) 及Samuel M. (1830-1914) Nickerson 伉儷珍藏，芝加哥，入藏於1900年前。
芝加哥藝術博物館，入藏於1900年。

狀況報告
拍品的狀況可能存在極大差異，而由於其性質使然，拍品難以處於完美無瑕的狀態。拍品均以拍賣時的狀況出售。

We have sought to record changes in the condition of this piece acquired after its initial manufacture.
-The jar and cover are associated.

Cover:
-There is a raised bump at the center of the exterior.
-There are surface scratches.
-There are pinprick holes and glaze burst bubbles.
-The mouth rim has been buffed.

Jar:
-There is a polished chip to the collar
-There are pinprick holes and glaze burst bubbles.
-There is raised iron potting flaw on the lower body.
-There is a small chip to the glaze above the foot.

参考：中國嘉德(香港)國際拍賣有限公司
2020 七月拍賣
慕古擷珍—瓷器珍玩工藝品
297 清康熙 青花冰梅開光博古紋蓋罐

35 cm. (13 3/4 in.) high
罐，直口，豐肩，斂腹，圈足，配原蓋，子母口。以青花裝飾，蓋繪如意雲頭，罐外壁主體繪冰梅紋，以青花留白技藝會白梅，細線點綴勾勒，玉潔冰清，腹部設海棠形開光，內飾康熙時流行的博古圖，圖案簡潔，別有意趣。底部以青花繪雙圈。整器青花發色翠蘭，色彩層次感強，繪飾技法豐富，混水平整，為康熙青花民窯之傑作。

來源：芝加哥Matilda（1837-1912年）及Samuel M.（1830-1914年）Nickerson夫婦舊藏，入藏於1900年以前
芝加哥藝術學院，1900年

狀態：罐口沿有一磕

估價 : HKD: 45,000 – 55,000 USD: 5,800 – 7,100
成交價: HKD: —

参考：
蘇富比週末拍場：
亞洲藝術及大都會藝術博物館之
中國藝術 – 佛羅倫斯及赫伯特 • 歐雲伉儷惠贈
1747
清康熙 青花冰梅紋蓋罐

拍品詳情
估價 1,000 — 1,500 美元
拍品已售 2,750 美元 成交價 (含買家佣金)

蘇富比週末拍場：亞洲藝術及大都會藝術博物館之中國藝術 – 佛羅倫斯及赫伯特 • 歐雲伉儷惠贈
2019年9月14日 | 上午 10:00 EDT
紐約

参考：佳士得香港 拍卖 13753
美藏于斯 ─ 大都会艺术博物馆珍藏中国瓷器
纽约|2016年9月15日
A BLUE AND WHITE OVOID JAR
KANGXI PERIOD (1662-1722)

成交总额
USD 20,000

估价
USD 4,000 – USD 6,000
此拍品不设底价

A BLUE AND WHITE OVOID JAR
KANGXI PERIOD (1662-1722)
The jar is decorated with blossoming plum branches against a ‘cracked-ice’ ground.
9 ¼ in. (23.4 cm.) high, wood cover

来源

Bernard M. Baruch (1870-1965) Collection.
The Metropolitan Museum of Art, New York, accessioned in 1965.

编制图录及详情
特别通告
This lot is offered without reserve.

拍品前备注

Bernard Baruch (1870-1965) was an American statesman who served as an advisor to U.S. presidents Woodrow Wilson, Franklin D. Roosevelt and Harry S. Truman. He served on numerous political councils including the War Industries Board and the Advisory Commission to the Council of National Defense. Baruch was an active alumnus of his alma mater, the School of Business and Civil Administration of the College of the City of New York, and the school was later renamed the Bernard M. Baruch School of Business and Public Administration in 1953 in honor of Baruch. Baruch donated Chinese ceramics to the Metropolitan Museum of Art after his death in 1965.

参考：纽约大都会博物馆 清 青花姜罐 Jar with Cover
China

Object Details
Period:Qing dynasty (1644–1911), Kangxi period (1662–1722)
Culture:China
Medium:Porcelain
Dimensions:H. 10 in. (25.4 cm)
Classification:Ceramics
Credit Line:Bequest of Benjamin Altman, 1913
Accession Number:14.40.315a, b
Provenance
Benjamin Altman , New York (until d. 1913; bequeathed to MMA)
Timeline of Art History
Timelines
Central and North Asia, 1600-1800 A.D.
China, 1600-1800 A.D.

参考：纽约大都会博物馆 清 青花姜罐 Jar, Porcelain with cobalt blue underglaze, China

Object Details
Period:Qing dynasty (1644–1911), Kangxi period (1662–1722)
Culture:China
Medium:Porcelain with cobalt blue underglaze
Dimensions:H. 8 3/4 in. (22.2 cm); Diam. 8 1/4 in. (21 cm); Stand: H. 3 3/4 in. (9.5 cm)
Classification:Ceramics
Credit Line:Gift of Mrs. Walter Sachs, 1964
Accession Number:64.166.5a, b
Provenance
Mrs. Walter Sachs , New York (until 1964; donated to MMA)
Timeline of Art History
Timelines
Central and North Asia, 1600-1800 A.D.
China, 1600-1800 A.D.

参考：SATURDAY AT SOTHEBY’S: ASIAN ART
1102 PROPERTY FROM THE JUNKUNC COLLECTION
A BLUE AND WHITE ‘PRUNUS’ GINGER JAR AND COVER
QING DYNASTY, KANGXI PERIOD
Estimate 3,000 — 5,000 USD
LOT SOLD. 8,125 USD

A BLUE AND WHITE ‘PRUNUS’ GINGER JAR AND COVER
QING DYNASTY, KANGXI PERIOD
the globular body painted in reserve with prunus limbs branching at angles and extending slender shoots of new growth bearing clusters of buds and blossoms all against a bright cobalt-blue ground painted with ‘cracked ice’ pattern, the domed cover similarly decorated (2)
Height 8 7/8 in., 22.5 cm

The cover with restored breaks to the rim with evidence of old staple repair and associated overpainting, the interior of the cover sprayed. A small uneven potting flaw to the foot.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby’s is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

PROVENANCE
Collection of Stephen Junkunc, III (d. 1978).

參考：青花冰梅盖罐

青花冰梅盖罐(如图)，通高13.8厘米，口径4.2厘米，足径6.6厘米。

直口，丰肩，弧腹，圈足。口、颈及圈足露胎，内外施釉。 肩部饰一周城垛般的连笔“山”字纹，此装饰又称“城墙纹“或“墙垛纹”，为康熙瓷上的特色。

器身设冰梅纹，冰梅纹即以青花深料绘冰裂纹片，淡料涂抹（即青花分水）作地并留白，缀以梅花枝。冰梅纹始于康熙朝，象征寒梅吐艳，有辞旧迎新之意，故十分流行，常用以装饰罐，也作瓶、盘的装饰。晚清及民国瓷上多有摹绘。冰梅罐供新年贮芳茶之用，亦称茶叶罐。盖为圆形平顶式，盖面纹样与器身一致，在冰裂状青花蓝地的中心，盛开着一朵白色的梅花。

指捺痕，又称指印痕，为清代青花瓷上的独有现象，即图案轮廓线勾勒好以后，用笔墨在作青花分水皴染时留下的一个个似人的手指按捺后产生的手指印迹。在此罐的蓝地（染色）上，可较清晰地看到这些指捺痕。指捺痕始自康熙，贯穿于清代，可作为区分明清件的佐证。

此器康熙瓷特点明显：胎质细糯洁白，露胎处的旋坯痕坚致；器的体量较重；釉面散落有针孔状的细鬃眼。

通体以青花浓料画冰裂片纹，以淡料略加晕染，其间勾画白色梅花，蓝白相映，寒梅吐艳尤显芬芳，颇具文人画风韵。冰梅纹盖罐是康熙时期的典型作品。冰梅纹又称冰裂梅纹，清康熙朝创制的瓷器纹饰，以仿宋官窑冰裂片纹为图案地纹，再在其上画朵梅或枝梅。

罐为绳金塔地宫发掘出土，现藏于南昌市博物馆。

参考：KANGXI: THE JIE RUI TANG COLLECTION, PART II
313 A SUPERB BLUE AND WHITE ‘WINTER’ OVOID JAR AND COVER
Qing Dynasty, Kangxi Period
Estimate 20,000 — 30,000 USD
LOT SOLD. 25,000 USD

A SUPERB BLUE AND WHITE ‘WINTER’ OVOID JAR AND COVER
Qing Dynasty, Kangxi Period
the deep rounded sides deftly painted in varying tones and washes of underglaze blue with two roundels each enclosing a winter scene, the first depicting Meng Haoran riding a donkey followed by an attendant carrying a prunus branch, the second portraying Han Yu crouched amid rockwork looking upward at the Daoist immortal Han Xiangzi holding a beribboned flute, all against a rich ground of prunus blossoms amid ‘cracked ice’, the cylindrical cover similarly decorated (2), coll. no. 142
Height 10 in., 25.4 cm

PROVENANCE
Berwald Oriental Art, London, 2000.
LITERATURE
Jeffrey P. Stamen, Cynthia Volk with Yibin Ni, A Culture Revealed, Kangxi-Era Chinese Porcelain from the Jie Rui Tang Collection, Bruges, 2017, cat. no. 5.
CATALOGUE NOTE
The present jar and cover represents the very best of the famous ‘cracked ice’ pattern. The painting of the figural scenes reveals a sensitivity akin to ink on silk and the depth of the layering to created the ‘cracked ice’ effect is remarkable. The decoration of the entire form serves as a harbinger of spring with its new beginnings full of good promise. Meng Haoren (c. 690-740), one of the most renowned Tang dynasty poets, inspired a play, written by Ma Zhiyan during the Yuan dynasty, entitled Meng Haoren Looking for Plum Blossoms on a Snowy Day in which the poet is upheld as a model of integrity and dogged determination in seeking out the finest example of the late winter blooming prunus flower. The other scene involves another major literary figure of the Tang dynasty Han Yu (768-824). A famous story of the poet relates his plight after being exiled by the Taizong emperor, wherein he finds himself trapped in a severe snowstorm at the Lantian Pass in Shaanxi and is saved by the immortal Han Xiangzi, who guides him to safety.