东南亚 红木 镂空雕飞舞仕女灯台

Description

红木 镂空雕飞舞仕女灯台

参考：苏富比
A Journey Through China’s History. The Dr Wou Kiuan Collection Online. Part II.
December 15, 07:41 AM PST
Lot 101
A reticulated hardwood ‘dragon and rams’ carving, Qing dynasty, 19th century
清十九世紀 硬木雕三羊游龍紋擺件

Estimate：200 – 300 GBP
Lot Sold：381 GBP

清十九世紀 硬木雕三羊游龍紋擺件
Height 19.2 cm, 7½ in.

Condition Report
Losses to the tip as illustrated, some further chips to the extremities overall. The wood has a thin varnish.

Provenance
Collection of Dr Wou Kiuan (1910-1997).
Wou Lien-Pai Museum, coll. no. QW.107.
吳權博士（1910-1997）收藏
吳蓮伯博物院，編號QW.107

Additional Notices & Disclaimers
Please note that Condition 12 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.

参考：苏富比
中國藝術珍品
07 十月 2015 • 香港
拍品 3763
清十七 / 十八世紀 紫檀木雕鏤空螭龍穿芝紋香筒
「一泓香暖花開見佛」字《愙齋》款

估價 200,000 – 300,000 HKD
已售出 275,000 HKD

描述
「一泓香暖花開見佛」字《愙齋》款
zitan
21.6 公分，8 1/2 英寸
of cylindrical form, the hardwood deftly carved and pierced with two chilong, one ascending and the other descending with clawed arms outstretched, facing each other with their hair swept over serpentine bodies and writhing amidst swirling lingzhi stems, all between two borders of angular scrolls and set on a stand inscribed horizontally in clerical script with eight characters reading yi hong xiang nuan, huakai jian fo (‘With a pond filled with fragrance and warmth, Buddha will appear when the flowers bloom’), the base incised with a square seal reading Kezhai (‘Studio of Reverence’), the seal of Wu Dacheng

來源
晚清吳大澂收藏（底款）

参考：佳士得
2 12月 2008
現場拍賣 2625
好善簃竹雕珍藏
拍品 2337 清十八 / 十九世紀 竹雕螭龍紋香筒
A FINELY CARVED BAMBOO PARFUMIER

成交價 HKD 212,500
估價 HKD 70,000 – HKD 90,000

細節
清十八 / 十九世紀 竹雕螭龍紋香筒

來源
Acquired in London in the 1960’s

拍品專文
A number of comparable perfume holders have been published. A cylinder in the Victoria and Albert Museum Collection with similarly rounded relief carving of the chilong is illustrated by C. Clunas, Chinese Carving, London, 1996, p. 46, fig. 45. The author attributes this piece to the Jinling tradition of carving on account of the low-relief carving with rounded edges. Another comparable but narrower cylinder with very similarly depicted chilong is illustrated by P. Moss, The Literati Mode, London, 1986, no. 51.