清 镶宝黑漆瓜瓞绵绵婴戏 紫檀插屏座屏

Description

紫檀镶宝黑漆瓜瓞绵绵婴戏插屏

参考：佳士得
13 5月 2014 | 现场拍卖 5291
中国瓷器、工艺精品及纺织品
拍品 883 清 黑漆镶宝桌瓶
A BLACK LACQUER GILT-DECORATED HARDSTONE-INLAID SCREEN
19TH CENTURY

成交价 GBP 6,250
估价 GBP 5,000 – GBP 7,000

A BLACK LACQUER GILT-DECORATED HARDSTONE-INLAID SCREEN
19TH CENTURY
The screen depicts a lady and gentleman seated on a terrace with attendants, all amongst flowers and rocks. Shoulao is seated on a crane in flight above amongst gilt ruyi-shaped clouds. The colourful hardstone and mother-of-pearl inlay is set on a black lacquer ground embellished with gilt highlights.
The panel 22 in. (55.8 cm.) high, 13¾ in. (35 cm.) wide, wood frame and stand

注意事项
VAT rate of 20% is payable on hammer price and buyer’s premium

參考：故宫博物院【紫檀木边座百宝嵌戏狮图插屏】

明，横19.5厘米，纵11厘米，通高27.5厘米。

插屏紫檀木质，由屏心、站牙、抱鼓墩组成。屏心两面皆在紫檀木上以螺钿、青金石等为原料镶嵌图案，一面为梅花图，一面为番人戏狮图。绦环板处开鱼肚形透孔，壸门式披水牙子，如意头式抱鼓墩。此插屏小巧玲珑，做工精湛，装饰华美，是一件精美的明式家具。

撰稿人：周京南
关键词： 百宝嵌 插屏 紫檀木 站牙 抱鼓墩 抱鼓 螺钿 镶嵌 绦环 绦环板 壸门 披水牙 披水牙子 牙子

参考： California Asian Art Auction
May 9, 2020
Lot # 9083
A CHINESE ZITAN FRAME JADE SOAPSTONE INLAID TABLE SCREEN
清 百寶嵌紫檀座屏

Dimension: Height: 31 7/8 in (81.0 cm) Length: 50 in (127.0 cm) Width: 30 in (76.2 cm)
Estimate From: $1200
Estimate To: $2200
Qing Dynasty period. Of rectangular form, the table screen finely inlaid in white jade, soapstones, agate, etc with a planter containing corals and buddha’s hands, all within zitan frame and stand.

参考：保利 5周年春季拍卖会
宫廷艺术与重要瓷器、工艺品
4380 清乾隆 紫檀框漆地百宝嵌御题诗挂屏

拍品信息
LOT号 4380
作品名称 清乾隆 紫檀框漆地百宝嵌御题诗挂屏
作者 —
尺寸 高103cm；宽67cm
创作年代 清乾隆
估价 1,000,000-1,500,000
交价 RMB 1,344,000

挂屏为长方形，镶有紫檀边框，框上以凸起的乳钉纹装饰。挂屏画面髹黄漆地，上饰雕漆五色福寿纹，中间以百宝嵌工艺装饰纹饰，其以青、白、碧、墨、朱、黄、绿等各色玉石，及象牙、珐琅、犀角、鎏金铜片等镶嵌琢成各式博古器具，有承托娇嫩水仙的四瓣花形洗，作为花插的犀角雕兽面纹觚，装有如意的掐丝珐琅琮式瓶，开光嵌玉象的铜炉，雕饰花纹的玉质盖盒，及铜鎏金瑞兽摆件。画面左上为乾隆皇帝御题诗，后属“乙丑春帖子词御笔”，并盖“乾隆宸翰”朱印。挂屏画面构图典雅，构件琢制精细，镶嵌配置合理，体现出较高的镶嵌工艺水平。这种紫檀雕刻饰嵌百宝的工艺以其精妙华美着称当世，故高濂在《遵生八笺》中曾赞：“其费心思工本，为一代之绝”。
再者，同类器中带有御制诗的挂屏较为少见。乾隆皇帝继承女真人尚武之习，习武点兵之余又把研习中国传统文化作为重要功课，其读经研史，写了大量的御制诗文，这些诗文或刻制碑石，或刊印成册。御题诗见于几个方面，内容多为见物思史，咏叹沧伦；或感物而发，或感情而发，或因题材作品而发，不一而足。

参考：中国嘉德国际拍卖有限公司
中国嘉德2016年春季拍卖会
案上云烟——文房雅玩
LOT号： 4744 清早期 百宝嵌夏趣秋意挂屏 （两件）

拍品信息
作者 —
尺寸 49.3×38cm×2
作品分类 古典家具>古典家具其它
创作年代 清早期
估价 RMB 　180,000-280,000
成交价 流拍
专场 案上云烟——文房雅玩
拍卖时间 2016-05-14
拍卖公司 中国嘉德国际拍卖有限公司
拍卖会 中国嘉德2016年春季拍卖会

说明

挂屏成对，尺寸硕大，以瘿木攒边作框。两者屏心为一块整板，髹黑漆为地。其一用木、骨、玛瑙、螺钿等料嵌出山石、菊花、谷穗、双燕，寓意“安居富庶”、“宴祝富贵连寿”；另作丛柳鸣蝉，画面简洁，取法写意折枝花鸟图，从侧面伸出翠柳一枝，鸣蝉振翼，似有初唐虞世南咏蝉诗“垂緌饮清露，流响出疏桐。居高声自远，非是借秋风”诗意，古人认为蝉生性高洁，栖高饮露，以此为题，寓意高洁。铜件作螭龙纹精致考究。挂屏集镶嵌、雕刻、诗书画意于一身，以此悬挂墙壁之上具有极好装饰性。

百宝嵌采用珠宝玉石及其各种珍贵材料作漆器镶嵌的一种。《西京杂记》载：“天子笔管以错宝为趼。”《遵生八笺》赞曰：“如雕刻宝嵌紫檀等器，其费心思工本，为一代之绝。”钱泳《履园丛话》：“周制之法，惟扬州有之。明宋有周姓者，始创此法，故名周法。……”明嘉靖年间，周柱以工艺之精绝，为严嵩所控制，所以其制作的百宝嵌也仅供权贵享用，盛极一时。康乾盛世时期，为满足宫廷陈设需要，内务府造辨处制作各种材质挂屏，用以悬挂室壁。乾隆帝更于此乐此不疲，甚至创立壁瓶形制，装饰宫内。

来源：CHRISTIE’S NEWYORK

参考：中国嘉德国际拍卖有限公司
中国嘉德2016年春季拍卖会
案上云烟——文房雅玩
LOT号： 4743 清康熙 黑漆嵌螺钿花鸟纹座屏

拍品信息

作者 —
尺寸 63×29.5×57.5cm
作品分类 古典家具>古典家具其它
创作年代 清康熙
估价 RMB 　80,000-120,000
成交价 RMB 　92,000HKD 　109,785USD 　13,800EUR 　10,120
专场 案上云烟——文房雅玩
拍卖时间 2016-05-14
拍卖公司 中国嘉德国际拍卖有限公司
拍卖会 中国嘉德2016年春季拍卖会

说明

座屏边框与座一体连做，施以洒螺钿。屏芯髹黑漆，以厚螺钿、珊瑚、青金石等百宝镶嵌折枝梅花，枝头一只雀鸟，寓意“喜上眉梢”，构图以花鸟写生小品为立意，生动传神，气韵清逸。另一面嵌修竹数竿，清俗疏秀。边框花边站牙，横梁下长条透孔，正中上翻云头，抵住上梁，披水牙子中心垂洼堂肚。座屏在清代流行，小的为桌屏、灯屏，大的则可立于屋中独立陈设。此件尺寸应为桌案摆件，以备观摩赏玩，折枝花鸟体现了文人雅士的清赏情趣。

百宝嵌工艺出现于明代，它是在螺钿镶嵌工艺的基础上，加入宝石、珊瑚以及玉石等材料形成的镶嵌工艺，其图案花纹会随着照射光线角度的变化，色彩斑斓。清代以后，百宝嵌发展成为家具制作的重要镶嵌技术之一。洒螺钿又称“撒螺钿砂”，五彩螺钿色彩富于变化，久经承传，使座屏沉稳绚丽。

参阅：朱家溍主编，《故宫博物院藏文物珍品大系 明清家具（上）》，上海科学技术出版社、商务印书馆（香港），2002年，第248页。

参考：佳士得拍賣 2190
重要中國瓷器及工藝精品
Hong Kong|2005年5月30日
拍品1351 清 镶宝剔漆砚瓶
A HARDSTONE-INLAID AND CARVED CINNABAR LACQUER TABLE SCREEN

成交總額
HKD 264,000

估價
HKD 250,000 – HKD 300,000

A HARDSTONE-INLAID AND CARVED CINNABAR LACQUER TABLE SCREEN
QING DYNASTY, 18TH CENTURY

One side of the rectangular screen inlaid with soapstone, nephrite, agate, mother-of-pearl, carved wood and stained bone with a landscape scene depicting a deer grasping a lingzhi stem in its mouth and gazing at a crane and two bats in flight, beside a gnarled pine tree, entwined with vines bearing red berries, growing from behind a pierced ornamental rock, the reverse side with sixty mother-of-pearl stylised characters of alternating, fu, ‘fortune’ and shou, ‘longevity’, the panel with a cinnabar lacquer frame carved with bi-discs lined by rope twist and fitted into a lacquer stand carved with lotus scrolls and wan-symbols (some losses replaced)
21 1/2 in. (54.6 cm.) high

参考：SATURDAY AT SOTHEBY’S: ASIAN ART
1534 PROPERTY FROM THE JUNKUNC COLLECTION

A PAIR OF KINGFISHER FEATHER ‘BIRD’ PANELS
QING DYNASTY, 19TH CENTURY
Estimate 10,000 — 15,000 USD
LOT SOLD. 13,750 USD

A PAIR OF KINGFISHER FEATHER ‘BIRD’ PANELS
QING DYNASTY, 19TH CENTURY
the decoration mounted on black textile, with glass enclosed wood frames (4)
Height 15 1/4 in., 38.7 cm; Width 11 1/2 in., 29.2 cm
PROVENANCE
Nagatani, Inc., Chicago, 15th January 1970.
Collection of Stephen Junkunc, III (d. 1978).

参考：SCHOLARLY ART FROM THE COLLECTION OF MR AND MRS GERARD HAWTHORN
44 A LARGE INLAID LACQUER SCREEN QING DYNASTY, 18TH – 19TH CENTURY
Estimate 100,000 — 150,000 HKD
LOT SOLD. 100,000 HKD

A LARGE INLAID LACQUER SCREEN QING DYNASTY, 18TH – 19TH CENTURY
elaborately inlaid in an array of hardstones including mother-of-pearl, soapstone, agate, lapis lazuli and stained horn, decorated with a heron and a pair of Chinese bulbul in a pond flourishing with lotus blooms and reed, further inscribed with an auspicious idiom pertaining to the scene, all surrounded by a border of flower scroll
72 by 105 cm, 28 3/8 by 41 3/8 in.

参考：SCHOLARLY ART FROM THE COLLECTION OF MR AND MRS GERARD HAWTHORN
30 A RARE INSCRIBED CINNABAR LACQUER TABLE SCREEN AND STAND GONGJI SEAL MARK, 17TH CENTURY
Estimate 400,000 — 600,000 HKD

A RARE INSCRIBED CINNABAR LACQUER TABLE SCREEN AND STAND GONGJI SEAL MARK, 17TH CENTURY
carved in low relief with two scholars playing weiqi beneath an overhanging tree in a garden, observed by another scholar, an attendant brewing tea in the foreground and a second attendant carrying peaches afar, the reverse inscribed with a Song poem and three seals reading meishou, gong and ji, supported on a matching stand
screen: 18.3 by 13.9 cm, 7 1/4 by 5 1/2 in.
overall h. 23.5 cm, 9 1/4 in.

CATALOGUE NOTE
Lacquer designs of the Ming and early Qing periods were often inspired by literature or paintings, and the present screen incorporates an inscription and the corresponding scene, which was derived from Huanxisha – qingxing yuanlin zhu jiuxiang by the renowned Song poet, Yan Shu (c. 991-1055). A similarly carved lacquer screen, of larger size and attributed to the Hongzhi period (r. 1488-1505), decorated with a scene based on the Western Han tale Zouma zhangtai jie [Passing through Zhangtai Street on Horseback], from the Lee Family Collection and included in the exhibition Dragon and Phoenix. Chinese Lacquer Ware. The Lee Family Collection, Museum of East Asian Art, Cologne, 1990, cat. no. 51, was sold at Christie’s Hong Kong, 1st December 2009, lot 1827.

According to the seals, the present screen is probably linked to the scholar Qin Jin (1652 – 1735), whose studio name is Gongji.